Friendship Sheet Music Preview

Friendship: 3-Part Mixed Choral Octavo

Words and music by Cole Porter / arr. Greg Gilpin

Level: Moderate

Item: 00-PO-0004779

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Description
This Classic Cole Porter hit from the 1940s was first featured on Broadway and later found its way into the movies. Today it's simply a classic that will delight your audiences.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0004779

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist who defined the golden age of musical theater. His songs combined sophisticated harmonies, witty lyrics, and memorable melodies that transcended Broadway and became standards of American popular music. Porter's work continues to anchor repertoire across vocal jazz, music theater, and choral programs because his melodies are both accessible and musically substantial.

Why we love this

Greg Gilpin's arrangement captures Porter's harmonic sophistication while keeping the texture clear and singable for mixed voices at Grade 3. The piece gives your choir a legitimate Broadway moment without requiring a full pit orchestra, and audiences respond instantly to this familiar, joyful standard. It's a genuine crowd-pleaser that doesn't sacrifice musical substance.

What to expect

Warm, sophisticated, and genuinely charming. The arrangement has a gentle lilt that feels both nostalgic and immediate, with Porter's harmonic language giving the piece substance beneath its surface simplicity. Singers and audiences alike feel the intelligence in the writing without any sense of struggle.

Who it's for

Choirs with singers in Grades 3-4 who are ready for three-part mixed voicing and want to tackle a piece with real musical personality. Directors seeking accessible repertoire that bridges pop and standards, or programs building toward more sophisticated harmonic writing.

How to get the most out of it

  • Bring out the lyrical warmth in the soprano line; Porter's melody sings best when it feels conversational rather than operatic.
  • Balance the three parts carefully during the harmonic passages so the inner voices support rather than compete with the top line.
  • Use the recorded accompaniment to lock in the groove and tempo, especially in the opening section where rhythmic confidence builds confidence in younger singers.
  • Shape phrases by thinking in terms of the original Broadway delivery: conversational, graceful, and slightly sophisticated without being precious.

How to use it

Program this in a concert celebrating American songwriting, or use it as a lighter moment between heavier choral works. It works particularly well in spring concerts or programs with a vintage or theatrical theme, and the recorded accompaniment makes it viable for smaller programs that lack piano accompaniment resources.

Skills your students will build

  • Navigating three-part mixed voicing (SAB)
  • Reading and performing Porter's harmonic language
  • Blending upper and middle voices while maintaining line independence
  • Performing with theatrical clarity and articulation in popular song style

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