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Four of a Kind: Concert Band Conductor Score & Parts

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Four of a Kind: Concert Band Conductor Score & Parts

By Quincy C. Hilliard

Grade: 1

Item: 98-B1077

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Description
The french round, Frére Jacques, gets new life from Quincy Hilliard in this percussion feature for beginning band. A good teaching tool for utilizing the "toys" with your young percussionists. This outstanding crowd-pleaser features bursting balloons right before the final measure. Hold your ears! (2:00)

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 674398208166
SKU: 98-B1077

More about this title

About the Composer: Quincy C. Hilliard

Quincy C. Hilliard has established himself as a composer and arranger with a gift for making engaging music accessible to young ensembles. His work in the educational band repertoire demonstrates a clear understanding of what captures both student interest and pedagogical value, particularly in creating features that showcase different sections without sacrificing musicality.

Hilliard's arrangements often build on familiar melodies, transforming well-known material into vehicles for teaching ensemble concepts and individual expression. His approach balances entertainment with intentional skill-building, making him a reliable voice in the Grade 1 and early Grade 2 literature.

Why we love this

Hilliard transforms a nursery rhyme into genuine pedagogical theater. Young percussionists get real feature time with rhythmic independence and playable parts, while the whole band stays engaged through clear textures and a finale that delivers an actual surprise rather than just more notes.

What to expect

A familiar melody reimagined with bright, playful orchestration. The "toys" sparkle and drive the rhythm forward while the melody stays warm and recognizable. That balloon pop creates real surprise and delight, turning a simple arrangement into a moment students and audiences won't forget.

Who it's for

Grade 1 concert bands in their first years of playing together. This works especially well for programs that want percussion players to feel ownership of the sound from the start, and for directors building student confidence through accessible but genuinely fun repertoire.

How to get the most out of it

  • Balance the percussion features so they punch through without overwhelming the harmonic foundation. Younger bands often play melodic voices too softly when percussion takes the spotlight.
  • Rehearse the balloon pop timing separately. Coordinate with your percussion section so the effect lands exactly one measure before the end, not during it.
  • Keep the tempo steady and light. The piece runs about two minutes, so resist the urge to slow down. Energy and clarity matter more than weight.

How to use it

Program this early in your fall concert to set a positive tone and celebrate what young percussionists bring to the ensemble. It works equally well as a spring pops concert opener or a clinic demonstration piece that shows growth across the year.

Skills your students will build

  • Balancing melody and accompaniment texture
  • Playing percussion features with rhythmic independence
  • Responding to conductor cues during a clear sectional feature
  • Sustaining attention across a multi-section arrangement

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