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Fossils: String Orchestra Conductor Score & Parts

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Fossils: String Orchestra Conductor Score & Parts

From Carnival of the Animals

By Camille Saint-Saëns / arr. Andrew H. Dabczynski

Grade: 2

Item: 00-46707

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Description
From the famous Carnival of the Animals, this very simplified version of "Fossils," arranged by Andrew H. Dabczynski, allows students in their second year of study to perform a familiar, yet challenging, classic favorite. Complete with special musical effects---including pizzicato, Bartók pizzicato, col legno, and optional percussion parts---"Fossils" will enliven any string orchestra concert program!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fossils: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling String Explorer
Publisher: Alfred Music
Page Count: 76
UPC: 038081533476
SKU: 00-46707

More about this title

About the Composer: Camille Saint-Saëns

Camille Saint-Saëns (1835-1921) was a French composer, organist, and pianist whose prolific output spanned nearly seven decades. A prodigy who studied at the Paris Conservatory, he wrote across genres including symphonies, concertos, operas, and chamber music, yet remains best known today for Carnival of the Animals, the witty orchestral suite he composed in 1886.

Saint-Saëns was a commanding figure in French musical life, serving as director of the École Niedermeyer and championing new music alongside his own compositions. His technical mastery and gift for memorable melody made his work accessible to audiences while maintaining genuine sophistication, a balance that explains why pieces like "Fossils" continue to engage students and audiences more than a century later.

Why we love this

This arrangement captures everything that makes "Fossils" irresistible: the instantly recognizable cancan melody, the xylophone shimmer suggesting ancient bones, and the sheer fun of a piece that doesn't take itself seriously. At Grade 2, students can tackle authentic special effects—pizzicato, Bartók pizzicato, col legno—that feel genuinely musical rather than technical exercises, and the familiarity of the original music frees them to focus on execution.

What to expect

Playful irreverence wrapped in elegant orchestration. The familiar cancan melody dances forward with rhythmic snap, while the special effects conjure the image of a xylophone clicking out the rattle of prehistoric bones. The piece sparkles with character and humor, never pretentious, always delightful.

Who it's for

String orchestra programs with students in their second year of study who are ready to explore a recognizable masterwork without unrealistic technical demands. This arrangement serves directors seeking accessible concert repertoire that still engages audiences and builds ensemble sophistication.

How to get the most out of it

  • Establish a steady, energetic tempo before rehearsals begin; students will need rhythmic confidence to manage the quick articulation changes and maintain the cancan's lift.
  • Clarify the pizzicato variations in sectional rehearsals. Mark where pizzicato shifts to Bartók pizzicato and col legno so players know exactly which strings or techniques apply.
  • Balance the melodic line with the rhythmic accompaniment; "Fossils" thrives on clarity, so the main tune must sing over the supporting material without overpowering it.
  • If including the optional percussion parts, rehearse them early and often. The xylophone and timpani entry points are crucial anchors for the ensemble's energy and ensemble sound.

How to use it

Open a concert with this crowd-pleaser, or place it midway through a program to shift the mood and energy. It pairs well alongside other lighter works and orchestral arrangements, and its programmatic content makes it an excellent choice for themed concerts or performances paired with an educational narrative about Carnival of the Animals.

Skills your students will build

  • Managing multiple articulation techniques (pizzicato, Bartók pizzicato, col legno) within a single piece
  • Maintaining rhythmic precision and ensemble cohesion at moderate tempos with frequent articulation changes
  • Balancing melodic lines with rhythmic accompaniment textures
  • Reading from conductor's score and individual parts simultaneously
  • Responding to the character and mood of programmatic music through expressive playing

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