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Forty-Second Street: Jazz Ensemble Conductor Score

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Forty-Second Street Cover Image

Forty-Second Street: Jazz Ensemble Conductor Score

Words by Al Dubin, music by Harry Warren / arr. Paul Cook

Grade: 1 (Easy)

Item: 00-JEM03026C

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Description
A swinging chart, direct from one of the most famous streets in New York City, Forty Second Street is a familiar melody that's accessible for the young jazz player. Scored by Paul Cook, this chart goes from a minor to major key - let the students hear it and play it! Containing written solos for alto and tenor sax, this chart sounds full with reduced instrumentation of just three saxes, two trumpets, one trombone, and three rhythm, or it works great with standard instrumentation. This one is fun!

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 12
UPC: 654979060390
SKU: 00-JEM03026C

More about this title

About the Composer: Harry Warren

Harry Warren (1893-1981) composed some of America's most enduring popular songs, with a gift for melodies that lodge immediately in the ear. His work for Broadway and film defined the golden age of American songwriting, earning him three Academy Awards and establishing standards that jazz musicians have treasured for generations.

Why we love this

Paul Cook's arrangement captures the swagger of the original while keeping the reading manageable for young players. The key change from minor to major gives students a genuine musical payoff, and the written alto and tenor solos provide leadership voices that let the section shine without requiring improvisation. This is a chart that teaches ensemble balance and clarity from day one.

What to expect

Bright and purposeful, with that classic New York energy. The minor opening feels slightly mysterious, then opens into a major-key swing that's infectious and fun to play. Every note feels like it belongs.

Who it's for

Beginning jazz ensembles with mixed experience levels will find this chart immediately rewarding. The Grade 1 difficulty and recognizable melody build confidence, while the key modulation and written solos keep experienced players engaged.

How to get the most out of it

  • Shape the minor section with a relaxed, slightly darker tone; the major key shift should feel like the sun breaking through clouds, so brighten your sound and lift the dynamics in measure.
  • Lock the rhythm section (piano, bass, drums) into a tight swing feel before the horns enter; a solid groove underneath makes the written solos sit perfectly.
  • Balance the alto and tenor solos against the background figures; the reduced instrumentation means every voice matters, so encourage the sax players to claim their moments without overpowering.

How to use it

Lead with this early in the semester as a confidence builder for groups new to jazz charts. Its familiar melody makes it an excellent program opener for a concert, or pair it with other standards to build a set that celebrates the Great American Songbook.

Skills your students will build

  • Reading and executing swing articulation
  • Navigating modal shifts (minor to major key)
  • Balancing ensemble voices in reduced instrumentation
  • Executing written solo figures with expression
  • Synchronizing with a rhythm section in jazz context

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