For Everything There Is a Season Cover Image

For Everything There Is a Season: Choral Octavo SoundTrax CD

$27.99 USD
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For Everything There Is a Season Cover Image

For Everything There Is a Season: Choral Octavo SoundTrax CD

Words based on Ecclesiastes 3:1-8, music by Jay Althouse

Item: 00-39735

$27.99
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Description
Jay's contemporary setting based on this timeless and poignant text deserves a place in your upcoming concert season. Superb choral literature, guaranteed to touch all who hear it. As a special addition, project animated images from the VideoTrax DVD on a large screen during performance.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081443966
SKU: 00-39735

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career spans both the publishing and composing worlds; he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. Today he is recognized as a prolific composer with more than 800 choral works in print, performed regularly across the English-speaking world.

Althouse's contributions to music education extend well beyond composition. He has co-created children's musicals with his wife Sally K. Albrecht, edited respected vocal solo collections including Folk Songs for Solo Singers, and authored or co-authored several influential educational resources such as The Complete Choral Warm-up Book, Accent on Composers, and Ready to Read Music. A writer member of ASCAP and regular recipient of the ASCAP Special Award, Althouse has also been recognized for collaborative work at the highest levels; he and Albrecht co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at the 2009 Presidential Inauguration. He currently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse's gift for setting sacred texts shines in this arrangement. The music respects the weight and dignity of Ecclesiastes while remaining accessible to singers across ability levels, making it equally valuable for concert programming and community worship contexts. The accompanying SoundTrax CD provides a polished accompaniment that lets you focus your rehearsal energy on interpretation and blend rather than balance.

What to expect

Althouse's setting honors the timeless wisdom of Ecclesiastes with music that feels both contemplative and confident. The harmonic language is warm and accessible without sacrificing sophistication, creating space for voices to blend while the text's profound message remains central.

Who it's for

This octavo suits choirs preparing for fall and winter concert seasons, memorial services, or programs centering on reflection and spiritual themes. It works equally well for community choirs, church ensembles, and school programs with intermediate to advanced singers.

How to get the most out of it

  • Work with the recorded accompaniment in early rehearsals to establish secure harmonic foundations, then remove it gradually as singers internalize their parts.
  • Shape the text through dynamic contrast rather than tempo changes; allow the poetry's rhythm to guide your phrasing without forcing.
  • If you plan to project VideoTrax imagery, run full rehearsals with the visuals present so singers adjust to potential stage lighting shifts and maintain focus on ensemble cohesion.

How to use it

Place this work as an anchor piece in a thematic program exploring seasons, change, or spiritual texts; its universal message provides a natural focal point for concert programming. The optional VideoTrax component elevates it into a multimedia presentation, making it suitable for special events or higher-profile concert slots where visual enhancement enhances the message.

Skills your students will build

  • Singing sacred text with authentic phrasing and respect for word meaning
  • Balancing ensemble blend across four-part harmony
  • Responding to accompaniment cues and dynamic shaping
  • Sustaining focused vocal tone through longer phrase structures

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