Folk Song Portraits Cover Image

Folk Song Portraits: Piano Duet (1 Piano, 4 Hands) Book

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Folk Song Portraits Cover Image

Folk Song Portraits: Piano Duet (1 Piano, 4 Hands) Book

Arranged by Dennis Alexander

Level: Intermediate

Item: 00-364

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Description
Charming duet arrangements of some of the world's greatest folk songs. Teachers will find these arrangements perfect for spicing up recitals and as supplementary material for group piano instruction in colleges and universities. Includes "Aura Lee," "Auprès de ma Blonde," "Barbra Allen," "Dear Evelina," "Mama Don't 'Low," "My Spanish Guitar," "Shenandoah" and "This Train."

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Sample Pages

Sample Audio
1 My Spanish Guitar --:--
2 Shenadoah --:--

My Spanish Guitar

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-0527-8
ISBN13: 978-0-7390-0527-9
UPC: 038081007168
SKU: 00-364

More about this title

About the Arranger: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped educational piano literature for nearly four decades through his work with Alfred Music Publishing, amassing over 400 compositions and recordings that have made him one of the most widely performed composers of student piano music worldwide. After teaching piano pedagogy at the University of Montana for 24 years and chairing the piano department, he moved to California where he held faculty positions at Cal State Fullerton and Cal State Northridge before establishing himself in Albuquerque, New Mexico.

Beyond the studio and classroom, Alexander maintains an active performance life as soloist, accompanist, and chamber musician. He made his New York debut at Carnegie Recital Hall in 1987 and has collaborated with internationally recognized artists across multiple continents. His contributions to music education have earned him recognition as a clinician at state and national conferences, and his compositions have been commissioned by numerous organizations and associations.

Why we love this

These arrangements succeed because Alexander understands exactly what intermediate pianists can manage together without sacrificing musical integrity. The folk song material is inherently engaging, and his writing keeps both hands genuinely interesting while maintaining the balance and independence duet partners need to thrive.

What to expect

These arrangements celebrate folk melodies with warmth and accessibility. The writing feels conversational rather than formal, with each hand getting moments to lead while the other provides musical context, creating a dialogue that unfolds naturally.

Who it's for

Intermediate piano students preparing for recitals or seeking engaging ensemble experiences, and college-level group piano classes looking for supplementary duet repertoire that rewards both players equally. Teachers will find these arrangements bridge the gap between solo study and collaborative performance without requiring advanced technique.

How to get the most out of it

  • Balance the melody line between primo and secondo parts; the folk melody doesn't always sit in the top voice, so both players should listen for where it lives and support it together.
  • Establish the pulse collaboratively before playing. With folk songs, a gentle swing or lilt often enhances character, so agree on tempo and any rhythmic inflection in advance.
  • Treat accompaniment patterns with rhythmic precision rather than as filler. The harmonic foundation Alexander provides shapes the entire arrangement's color.

How to use it

Feature a duet as a lighter moment between more serious solo works on a recital, or pair several arrangements back-to-back for a folk song suite that showcases your students' ensemble maturity. The collection works especially well in college group piano courses where students benefit from supervised duet experience with clear pedagogical purpose.

Skills your students will build

  • Listening to and balancing independent melodic lines
  • Maintaining steady tempo against a contrasting rhythmic accompaniment
  • Sharing leadership of a musical phrase between two performers
  • Interpreting folk idioms with tasteful ornamentation and inflection
  • Reading and executing clear dynamic and articulation markings across both parts

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