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Flying Fingers: Piano Sheet

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Flying Fingers: Piano Sheet

By Robert D. Vandall

Level: Late Intermediate

Item: 00-24534

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Description
Fingers will truly fly in this fast and precise toccata-like solo. The left hand features eighth-note ostinato figures while the right hand melody consists mainly of sixteenth notes. The melody offers opportunities for analyzing scales in different keys and chords in root position and first inversion. The piece is written in E minor but uses many accidentals. The rhythmic vitality in 4/4 meter and the energetic style of this solo will make it a favorite of audiences and students alike.

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Additional Details
Series: Alfred's Premier Piano Solos
Publisher: Alfred Music
Page Count: 8
UPC: 038081269344
SKU: 00-24534

More about this title

About the Composer: Robert D. Vandall

Robert D. Vandall is a prolific composer and arranger whose music appears in countless piano studios and school music programs across North America. He brings decades of classroom experience to his writing, creating repertoire that challenges students technically while remaining genuinely musical and engaging.

Vandall's compositional voice balances accessibility with substance. He writes idiomatically for each instrument, understanding exactly what late intermediate and intermediate advanced students can execute with focus and practice. His works populate the Alfred's Premier Piano Solos series and similar educational collections, consistently earning spots on state competition lists and in student recitals.

Why we love this

This toccata lives up to its title through relentless textural momentum rather than showy pyrotechnics. The design is deliberately sophisticated: while the sixteenth-note melody grabs attention, the eighth-note ostinato in the left hand creates harmonic complexity and requires genuine independence. Students learn that modern music at this level rewards precision and rhythmic clarity as much as virtuosity.

What to expect

Propulsive and bright, with the perpetual motion of a toccata but grounded in contemporary harmonic language. The E minor tonality with frequent chromatic coloring gives the piece a modern edge while the driving rhythm keeps it from feeling introspective. The overall effect is energetic rather than virtuosic, musical rather than showy.

Who it's for

Late intermediate pianists ready for more textural independence and harmonic density. This piece demands clean technical control but doesn't require a huge hand span or advanced pedaling, making it accessible to mature intermediate students at around Level 5-6.

How to get the most out of it

  • Establish a rock-solid eighth-note pulse in the left hand before adding the melody. Practice hands separately at tempo, locking the ostinato pattern until it feels automatic.
  • Map the harmonic movement and accidentals in E minor before performance. Circle unexpected chromatic notes so fingering choices serve both technique and harmony.
  • Balance the textural layers by keeping the ostinato in the background; let the sixteenth-note melody emerge without drowning the harmonic support underneath.
  • Sustain energy through the piece by thinking in two-bar phrases rather than beat by beat. This prevents the rapid figuration from sounding mechanical.

How to use it

Program this as the opening or closing piece in a student recital where you want to set an upbeat, contemporary tone. It pairs well with Baroque or Classical works on the same program, offering a clear stylistic counterpoint while remaining within a coherent technical level.

Skills your students will build

  • Left hand independence with repeated ostinato patterns while managing complex right-hand figuration
  • Reading accidentals and chromatic alterations within a minor key context
  • Harmonic analysis of root position and first inversion chords
  • Rhythmic precision with mixed sixteenth and eighth-note patterns at tempo
  • Voicing and balance between independent melodic and accompaniment lines

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