Flying Broomsticks Cover Image

Flying Broomsticks: Piano Sheet

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Flying Broomsticks Cover Image

Flying Broomsticks: Piano Sheet

By Robert D. Vandall

Level: Late Elementary

Item: 00-39664

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Description
With the cool Halloween wind blowing through their hair, students can experience the thrill of soaring through the sky on their witchy broomsticks in this Late Elementary piece in the key of A minor. With a quick tempo, a meter of 4/4, and quickly changing dynamics, this driving piece perfectly simulates the rush of daring flight, while providing a challenge for students to keep up and not fall off their broom! The optional duet accompaniment offers a firm ground below the soaring students as they take off on a night of adventure!

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Additional Details
Series: Signature Series
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-9222-7
ISBN13: 978-0-7390-9222-4
UPC: 038081447766
SKU: 00-39664

More about this title

About the Composer: Robert D. Vandall

Robert D. Vandall is a prolific composer and arranger whose catalog spans nearly four decades of piano literature for students. His work balances musical integrity with accessibility, creating pieces that engage young pianists without sacrificing compositional craft. Vandall's output ranges from teaching pieces to concert works, and his compositions appear regularly in festivals, recitals, and method book supplements across North America.

Known for his sensitivity to what makes music engaging for developing pianists, Vandall crafts pieces that tell stories through sound while building technical and musical skills naturally. His Halloween and seasonal works have become staples in many studios and schools, offering thematic variety without gimmickry.

Why we love this

Vandall captures genuine excitement here without resorting to cheap effects or overwrought program music. The driving tempo and dynamic shifts create real momentum and urgency, and students feel the difference between playing notes and playing a story. The optional duet accompaniment transforms a solo into a genuine ensemble experience, giving teachers a natural way to rehearse ensemble skills while the student feels fully supported.

What to expect

Exhilaration mixed with just enough mischief. The A minor tonality gives the piece a slightly edgy, thrilling quality rather than purely spooky darkness, and the quick tempo keeps energy high throughout. You can feel the wind resistance and hear the rush of movement through the sky.

Who it's for

Late elementary pianists ready for quick tempos and directional playing. This piece works well for students who respond to imagery and narrative, as the Halloween scenario gives them a clear dramatic arc to follow. It also suits performers comfortable with dynamic contrast and who can maintain focus during busier passages.

How to get the most out of it

  • Establish the tempo firmly before entering; this piece needs rhythmic conviction from the first note to convey flight and speed.
  • Treat the dynamic shifts as genuine changes in intensity, not just surface-level volume adjustments. Each sudden change marks a moment in the flight.
  • If performing with the duet accompaniment, rehearse the opening together to lock the pulse before the student enters. The accompanist sets the ground; the soloist can breathe and react within that framework.
  • Keep the sixteenth-note figures clean and articulate at tempo. Muddy passagework undermines the sense of controlled flight.

How to use it

This works beautifully as a standalone Halloween recital piece or as part of a fall concert with thematic unity. Consider pairing it with other seasonal or storytelling piano solos to create a short program that showcases different moods. It also serves well as a performance goal mid-fall, giving students a specific target to build toward.

Skills your students will build

  • Maintaining rhythmic steadiness at a challenging tempo
  • Executing rapid dynamic shifts with intention and control
  • Playing sixteenth-note passages cleanly and with direction
  • Responding to program music and translating narrative into musical gesture
  • Coordinating with an accompanist when the duet version is used

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