Flute Concerto No. 1 in G K313 (285c) (Edition for Flute and Piano) [incl. CD] Cover Image

Flute Concerto No. 1 in G K313 (285c) (Edition for Flute and Piano) [incl. CD]: Flute & Piano

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Flute Concerto No. 1 in G K313 (285c) (Edition for Flute and Piano) [incl. CD] Cover Image

Flute Concerto No. 1 in G K313 (285c) (Edition for Flute and Piano) [incl. CD]: Flute & Piano

CD: Orchestral Acc.

By Wolfgang Amadeus Mozart / ed. Erich List and Siegfried Thiele

Item: 98-Q9030

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 1
ISBN10: 0-577-08401-1
ISBN13: 979-0-577-08401-5
SKU: 98-Q9030

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed across every major genre of his time, from symphonies and concertos to operas and chamber music. His flute concertos, written during his years in Mannheim and Paris, showcase the instrument's lyrical possibilities while maintaining the Classical balance of virtuosity and melodic beauty that defines his style.

Why we love this

Mozart's Flute Concerto No. 1 in G remains a cornerstone of the flute repertoire because it demands musicianship above all. The piano reduction retains the orchestral elegance of the original, giving flutists a fully realized chamber performance without requiring an orchestra.

What to expect

Elegant and conversational, the work unfolds with effortless grace. Bright passagework alternates with singing melodic passages, creating a sense of intimate dialogue between flute and piano.

Who it's for

Advanced high school flutists and college-level performers preparing for auditions, competitions, or recitals will find this concerto essential repertoire. The included CD provides a reference recording to support practice and performance preparation.

How to get the most out of it

  • Shape the opening theme with gentle phrase arcs; Mozart's melodies breathe at natural points even within longer lines.
  • Balance ornamental passage work against the harmonic support from the piano part; the two voices should enhance rather than compete.
  • Let the piano establish character and tempo before entering; the concerto's conversational texture depends on responsive listening.

How to use it

Feature this concerto on a chamber recital or in a concert pairing with other Classical flute repertoire. Its familiar beauty appeals to general audiences while its technical demands satisfy performer and listener alike.

Skills your students will build

  • Phrasing in Classical style with attention to harmonic rhythm
  • Ornamental figuration with clarity and evenness
  • Chamber ensemble listening and response to keyboard accompaniment
  • Interpretive choices within the constraints of Classical form

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