Flight Cover Image

Flight: Flute Part(s)

$18.99 USD
$18.99 USD
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Flight Cover Image
Flight: Flute Part(s)

Flight: Flute Part(s)

By George Benjamin

Item: 12-0571505961
$18.99
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Description
The first performance of Flight was given by David Lodeon on Radio France in March 1980. The work is for Solo Flute and is approximately 8 minutes in duration.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50596-1
ISBN13: 978-0-571-50596-8
UPC: 9780571505968
SKU: 12-0571505961

More about this title

About the Composer: George Benjamin

George Benjamin is a British composer whose work emerged from the European avant-garde in the 1970s. His early pieces, including Flight, demonstrate a fascination with timbre and instrumental color that would define his compositional language throughout his career. Benjamin's orchestral works have been championed by major ensembles worldwide, and his operatic works have secured performances at leading international venues.

Why we love this

Flight captures something essential about virtuosic writing for solo flute without relying on empty display. Benjamin's approach to the instrument is genuinely idiomatic; he writes with understanding of what makes flute playing both technically challenging and musically expressive. The piece works equally well in competition settings and recital programs because the musical substance justifies the technical demands.

What to expect

Flight unfolds with restless energy and intricate internal textures. The flute navigates between lyrical passages and moments of technical precision, creating a sense of constant motion and discovery across its eight minutes.

Who it's for

Advanced flute students ready for contemporary solo repertoire will find genuine artistic challenge here. This work suits performers preparing for competitions, recitals, or undergraduate auditions where serious musical engagement matters more than crowd-pleasing virtuosity.

How to get the most out of it

  • Establish the work's harmonic language early in rehearsal. Benjamin's tonal world is not traditionally functional, so identifying structural anchors prevents the piece from feeling directionless.
  • Attend carefully to dynamic shaping within individual phrases. The piece relies on subtle gradations of volume and color rather than obvious dramatic contrasts.
  • Balance technical precision with lyrical phrasing. The flute writing may appear fragmented, but it requires the performer to find continuity across registers and articulative changes.

How to use it

Pair this with other 20th-century flute works to build a coherent recital or competition set that demonstrates engagement with contemporary writing. It also serves as an excellent encore or special concert offering for chamber music series seeking to showcase advanced student performers.

Skills your students will build

  • Reading and interpreting contemporary musical notation
  • Executing rapid register changes with tonal consistency
  • Shaping long phrases through dynamic nuance rather than obvious structural markers
  • Intonation control across extended techniques and unusual intervallic leaps

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