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Flex-Ability: Classics: Trombone/Baritone/Bassoon/Tuba Book

$7.99 USD
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Flex-Ability: Classics Cover Image

Flex-Ability: Classics: Trombone/Baritone/Bassoon/Tuba Book

Solo-Duet-Trio-Quartet with Optional Accompaniment

Arr. Victor López

Item: 00-32698

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Description
The Flex-Ability series is ideal for solos, duets, trios, quartets, or any size ensembles, including woodwinds, brass, strings and percussion. Players of various abilities, levels 1--3, can play together. An optional play-along CD is available separately. The 11 "classical" themes come from opera, symphony, piano and lute compositions, but are arranged in rock, jazz, swing and other contemporary styles. Here is a fun way to learn about these classics. Composer biographies and program notes are included.

Titles: Overture from the Opera The Barber of Seville * Bourée from Lute Suite No. 1 * Habañera from the Opera Carmen * Theme from Hungarian Dance No. 5 * Minuet from Anna Magdalena Bach Notebook * Theme from The New World Symphony * Ode to Joy from Symphony No. 9 * Theme from Pomp and Circumstance * Prince of Denmark's March * Toreador from the Opera Carmen * Overture from the Opera William Tell.

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Additional Details
Series: Flex-Ability Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-6037-6
ISBN13: 978-0-7390-6037-7
UPC: 038081355412
SKU: 00-32698
Instrumentation: Trombone/Baritone/Bassoon/Tuba

More about this title

About the Arranger: Victor López

Victor López is an arranger and composer known for creating flexible, accessible arrangements that serve the needs of school music programs. His work across multiple series demonstrates a practical understanding of how mixed-ability ensembles function in real rehearsal settings, with a particular gift for adapting well-known classical material into idioms that engage contemporary students.

Why we love this

These arrangements let you program recognizable classical masterworks without requiring the technical precision typically demanded at the concert level. The contemporary styling (rock, jazz, swing) makes the material feel fresh to students even when they already know the melodies, and the flexible instrumentation means your lower brass section can stay engaged with meaningful parts regardless of who shows up on rehearsal day.

What to expect

Each arrangement opens a door into a beloved classical work while immediately shifting into a groove that feels contemporary and playable. The writing assumes students are discovering these pieces for the first time, bringing fresh energy to opera overtures and symphonic themes that might otherwise feel distant or formal.

Who it's for

Lower brass players (Trombone, Baritone, Bassoon, Tuba) at early stages of musical training who thrive when playing recognizable literature alongside mixed-ability peers. Ensembles working toward concerts that celebrate classical heritage without requiring advanced technical vocabulary or demanding intonation control.

How to get the most out of it

  • Assign parts based on reading level, not instrumentation alone. In a mixed-ability section, a strong Tuba player might take the melody while a developing Trombone player voices harmony; swap these roles when a different arrangement suits your students' strengths.
  • Balance the contemporary arrangement style with the classical source material. The arrangement provides the modern rhythmic energy; let the classical melody's phrasing breathe rather than driving it aggressively.
  • Use the recorded accompaniment (available separately) to hear how your part fits within the full texture, especially helpful when the arrangement shifts between styles across movements.

How to use it

Program these as opening concert pieces or during units exploring classical music across styles. Their accessibility makes them effective choices for community performances or pep assemblies where student musicians play alongside singers or other instrumental sections. The included program notes and composer biographies support music history learning alongside performance.

Skills your students will build

  • Reading in multiple time signatures (common in Classical-era source material)
  • Articulation across rock, jazz, and swing idioms
  • Flexible part assignment and ensemble balance with mixed instrument groupings
  • Sight-reading at different ability levels within a single arrangement
  • Connecting classical sources to contemporary musical contexts

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