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Five Spirituals: Swing Low, Sweet Chariot: String Orchestra Conductor Score & Parts

$30.00 USD
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Five Spirituals: Swing Low, Sweet Chariot Cover Image

Five Spirituals: Swing Low, Sweet Chariot: String Orchestra Conductor Score & Parts

By Morton Gould

Item: 36-A782290

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Description
Morton Gould (1913-1996) began writing and arranging African-American spirituals for "string choir" in the 1940s, and these were the first of his orchestral works to enter the repertoire. Gould preferred the term "string choir" to describe these works as he planned to use the strings like a vocal choir in an orchestral context. Kalmus offers Five Spirituals, each available separately. Included are settings of: Go Down, Moses (A7820); Nobody Knows the Trouble I've Seen (A7821); Sometimes I Feel Like a Motherless Child (A7819); Swing Low, Sweet Chariot (A7822); and Deep River (A8787). Instrumentation: Hp.Clst: 6 Str (6.6.5-5-5-5).

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
UPC: 676737725693
SKU: 36-A782290
Instrumentation: Detailed Instrumentation: Hp.Clst: 6 Str (6.6.5-5-5-5)

More about this title

About the Composer: Morton Gould

Morton Gould (1913-1996) was an American composer and conductor whose work spanned classical, popular, and theatrical idioms with equal facility. He held conducting positions with major orchestras and was deeply committed to making serious music accessible to broad audiences, a philosophy that extended to his arrangements and original compositions across multiple genres.

Gould's engagement with African-American spirituals beginning in the 1940s reflected both his respect for this foundational American musical tradition and his innovative approach to orchestration. His deliberate use of the term "string choir" for these works reveals his compositional thinking: he treated strings as a vocal ensemble, preserving the emotional directness and harmonic richness of the spirituals while expanding their orchestral context.

Why we love this

Gould's "string choir" concept transforms these spirituals into something that feels both familiar and newly orchestrated, giving string orchestras immediate access to deeply expressive American repertoire with genuine dramatic weight. The instrumentation remains practical for school and community ensembles while the harmonic language and voicing demand real musicianship and sensitivity from every section.

What to expect

These arrangements carry the spiritual depth and emotional directness of their vocal sources while opening them to orchestral color and harmonic sophistication. The string textures range from transparent and intimate to full and resonant, moving between contemplative passages and moments of genuine uplift, always grounded in the expressive authenticity of the spiritual tradition.

Who it's for

This score and parts set serves string orchestras at the upper-intermediate to advanced level, including secondary school orchestras with solid ensemble foundation, community and semi-professional orchestras, and college preparatory programs. Directors seeking authentic American repertoire that develops both technical skill and interpretive maturity will find these spirituals rewarding to teach and perform.

How to get the most out of it

  • Treat the string lines with the phrasing and breathing sensibility of a vocal choir; spirituals live in their vocal heritage, so listen to recorded versions and let singers' phrasing inform your string attacks and releases.
  • Balance the harp and celeste contributions carefully; they function as color and harmonic support, not as equal voices, and can easily overwhelm the primary melodic material if not managed dynamically.
  • Shape longer lines through gentle dynamic inflection rather than sudden volume shifts; the emotional power of spirituals rests in sustained, warm tone production across phrase arcs.
  • Establish a consistent approach to vibrato across the section; unified vibrato character strengthens the choral quality and creates cohesion Gould intended with his orchestration.

How to use it

Program this alongside other American orchestral repertoire for a concert that centers the nation's musical heritage, or use it to anchor a set exploring arrangers' relationships with folk and spiritual traditions. A single spiritual from the set works well as a concert opener or closer; several performed together create a compelling thematic arc without requiring extended rehearsal time.

Skills your students will build

  • Sustained, lyrical tone production across full phrases
  • Vocal phrasing and breathing sensibility in instrumental context
  • Sectional blend and balance in string choir textures
  • Dynamic shaping through gradual inflection rather than dramatic shifts
  • Responsiveness to harmonic color and orchestration intent
  • Interpretation of spirituals with cultural awareness and authenticity

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