Five Old French Dances Cover Image

Five Old French Dances: Conductor Score & Parts

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Five Old French Dances Cover Image

Five Old French Dances: Conductor Score & Parts

By Marin Marais

Item: 36-M154391

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Additional Details
Series: Master String Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355138874
SKU: 36-M154391
Instrumentation: Violoncello and Keyboard

More about this title

About the Composer: Marin Marais

Marin Marais (1656-1728) was a French viol virtuoso and composer who spent most of his career at the court of Louis XIV. He published five books of compositions for solo viol with basso continuo between 1686 and 1725, establishing himself as one of the most prolific and celebrated viol composers of the Baroque era.

Marais's music bridges the galant sensibility of French court music with the technical demands of an advanced string player. His dances and character pieces remain essential repertoire for cellists exploring the French Baroque, offering insight into ornamentation, phrasing, and the expressive possibilities of the instrument.

Why we love this

These dances bring genuine character and French elegance to the cello-and-piano recital without requiring orchestral forces or ensemble coordination. The inclusion of conductor score and parts signals serious preparation and clarity, making rehearsal efficient while the music itself rewards both player and listener with period-authentic style and craftsmanship.

What to expect

Courtly and intimate, with the measured grace of 17th-century French salon culture. Each dance unfolds with clear melodic charm and harmonic sophistication, inviting the cellist to discover how much personality and depth can emerge from relatively simple formal structures.

Who it's for

Advanced high school cellists and college-level players preparing recital material or exploring French Baroque repertoire. Chamber musicians seeking accessible yet musically substantial duets that don't require an ensemble of performers.

How to get the most out of it

  • Shape each dance according to its character: minuets benefit from gentle phrasing and a courtly ease, while faster movements need clarity in articulation and rhythmic precision
  • Use the keyboard part to guide interpretive choices; the harmonic and rhythmic framework it provides helps establish period-appropriate tempo and ornamentation
  • Approach ornamentation with restraint and elegance rather than elaboration; French Baroque style favors refined detail over virtuosic display
  • Balance projection with transparency; the cello should sing without drowning the keyboard part, which carries essential harmonic color

How to use it

Program as a standalone recital segment, a thoughtful complement to works in other periods, or as part of a French music sequence. The set's variety in tempo and character allows flexibility; individual dances work well as concert openers or transitions between heavier works.

Skills your students will build

  • French ornamentation and articulation style
  • Baroque phrasing and harmonic awareness
  • Coordination with keyboard accompaniment
  • Character differentiation within dance forms
  • Sustained singing tone with refined dynamics

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