Five Duos for Violin and Viola Cover Image

Five Duos for Violin and Viola: String Duo & Ensemble, Duo, Score and Parts (LUDWIGMASTERS)

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Five Duos for Violin and Viola Cover Image

Five Duos for Violin and Viola: String Duo & Ensemble, Duo, Score and Parts (LUDWIGMASTERS)

By Lee Burswold

Grade: 3

Item: 36-52701003

$11.95
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Description
Varying characters and tempi highlight these playable duets in the classic Burswold style. Perfect for sightreading, high school contest or concert performances.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361137-X
ISBN13: 978-1-63-361137-5
UPC: 654690572028
SKU: 36-52701003
Instrumentation: Violin and Viola

More about this title

About the Composer: Lee Burswold

Lee Burswold has built a reputation for writing accessible yet musically substantive works for young musicians. His compositions consistently balance technical achievability with genuine artistic content, making him a trusted voice in music education publishing.

Why we love this

Burswold writes duets that actually sound like duets. Rather than treating the viola as a secondary voice, these pieces give both instruments equal melodic interest and rhythmic responsibility, which keeps rehearsals engaging and prevents either player from checking out. The Grade 3 level hits a sweet spot: challenging enough to feel like real musicmaking, accessible enough that high school players can nail them in contest time.

What to expect

Accessible without being simplistic. Burswold's writing sits comfortably under the fingers while maintaining genuine musical personality. You get a sense of dialogue between the instruments rather than one voice carrying the weight.

Who it's for

High school string players preparing for festival contests or concert programs. Players at this level have solid fundamentals and can handle the rhythmic independence required here. These duets work equally well for recreational student groups or preparatory ensembles.

How to get the most out of it

  • Balance the voices so you hear both lines clearly, even when one instrument has running passages and the other holds longer notes. This becomes the central interpretive choice in each piece.
  • Use the varying tempi as structural anchors. Each duo has its own character, so treat transitions between pieces as real breaks rather than rushing into the next one.
  • Lock in rhythmically before worrying about blend. Get the subdivisions tight first, then dial in intonation and tone matching.
  • Mark articulations consistently across both parts before the first rehearsal. Burswold's phrasing is clear on the page, and matching it exactly will save rehearsal time.

How to use it

Build a concert sequence around these duets. The varying characters mean you can program contrasting pieces back-to-back for textural variety without switching instrumentation. They also work well as bridge material in a longer program, offering intimacy that larger ensemble pieces can't provide.

Skills your students will build

  • Reading independent rhythmic lines simultaneously
  • Balancing melody and accompaniment roles within a duo texture
  • Maintaining ensemble intonation across similar instrument ranges
  • Executing articulation and phrasing cues in real time with a partner
  • Interpreting tempo and character shifts between contrasting movements

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