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Five Bicinia: Brass Ensemble Score & Parts

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Five Bicinia Cover Image

Five Bicinia: Brass Ensemble Score & Parts

Various / arr. Don Sweete

Level: Easy-Medium

Item: 81-BD983

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Description
This work is scored for trumpet in b-flat and trombone or trumpet in b-flat and horn. These duets are short but interesting and the flexibility of being able to play with horn or trombone adds to the usefulness of the work. They are not too difficult and would make an interesting change of pace on a brass quintet concert, featuring two of the members in the ensemble.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-380-9
ISBN13: 978-1-55472-380-5
UPC: 685462000944
SKU: 81-BD983
Instrumentation: Trumpet, Horn or Trumpet, Trombone

More about this title

Why we love this

Renaissance counterpoint translates beautifully to brass when the writing is this clean and singable. Sweete's arrangements respect the harmonic integrity of the originals while giving brass players genuine musical substance without requiring advanced technique. The flexibility to swap horn for trombone means you're not locked into instrumentation and can feature different players depending on what your ensemble needs.

What to expect

These duets carry the elegant restraint and conversational flow of Renaissance counterpoint. Two voices weave together with clarity and proportion, creating music that feels intimate and conversational even in a concert setting.

Who it's for

Brass quintet members looking for a compelling change of pace that showcases two players without sidelining the rest of your ensemble. Young brass musicians preparing for chamber competition or festival performance who benefit from studying authentic polyphonic writing in an accessible arrangement.

How to get the most out of it

  • Balance the upper and lower voices equally; brass players often favor the top line, but these duets depend on both parts being heard with clarity and weight.
  • Find the melodic contour in each voice rather than treating accompaniment passages as filler. Renaissance writing rewards singers and wind players equally when both lines are shaped with intention.
  • Use the optional instrumentation strategically. Horn brings sweetness and blend; trombone adds focus and articulation. Choose based on the character you want and the strengths of your available players.

How to use it

Feature them as a standalone set on a brass quintet concert to break up the typically heavier romantic-era repertoire. They also work well as a festival submission or competition entry where judges appreciate the musical substance and clarity of voicing.

Skills your students will build

  • Reading and performing Renaissance counterpoint
  • Independent line playing within a duo texture
  • Balancing and blending with a single partner
  • Maintaining steady intonation across extended phrases
  • Articulation clarity in imitative passages

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