First Time Around Cover Image

First Time Around: Jazz Ensemble Conductor Score

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First Time Around Cover Image

First Time Around: Jazz Ensemble Conductor Score

By Mike Lewis

Grade: 1 (Easy)

Item: 00-33325S

$7.00
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Description
First Time Around is a level 1 piece from the First Year Charts Jazz Ensemble series designed for first year jazz ensembles. Full instrumentation includes 5 saxophones, 6 brass, and 4 rhythm parts. Reduced instrumentation is playable with 3 saxophones, 2 trumpets, 1 trombone and 3 rhythm parts. Optional parts for flute, tuba, horn in F and baritone T.C./tenor sax. All solos are written out, the rhythm section parts suggest chord voicings and rhythms and guitar chord frames are provided to assist young guitarists.

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 12
UPC: 038081372365
SKU: 00-33325S

More about this title

Why we love this

Mike Lewis built this piece around what first-year players actually need: clear voicings in the rhythm section, written-out solos that teach jazz vocabulary without requiring transcription skills, and the flexibility to perform with nearly any instrumentation combination. The reduced instrumentation option means you're not turning away players because your section is understaffed, and the optional parts let you include your flute doubler or that eager freshman tuba player without stretching the arrangement.

What to expect

Approachable and swinging without pretension. The melody and changes sit comfortably under young fingers while the groove has enough character to feel real, not diluted. You get genuine jazz feel at a level where your ensemble can actually execute it cleanly.

Who it's for

This is built for conductors leading their first jazz ensembles, particularly those working with younger or less experienced players who need clear harmonic roadmaps and written guidance rather than transcription assignments. It works equally well for full-strength sections or lean groups, thanks to its flexible instrumentation options.

How to get the most out of it

  • Lock the rhythm section first. Spend rehearsal time isolating the piano, bass, and drums to establish the groove before layering in horns. The chord voicings are written out to guide harmonic clarity, so make sure your keyboard player has a clear sense of the suggested rhythms.
  • Treat the written solos as teaching moments. Since all solos are notated, use them to highlight how jazz vocabulary lives in the melody; encourage players to listen to how the soloist navigates the changes rather than rushing through the written notes.
  • Guide young guitarists through the chord frames provided. Beginners often struggle with voicing and rhythm simultaneously, so having the visual reference means they can focus on time and feel rather than figuring out fingerings in real time.
  • Balance the saxophone section carefully. With five parts at this level, clarity matters more than power. Make sure each sax voice is heard, especially the baritone, which anchors the low end of your harmonic foundation.

How to use it

Program this early in your jazz concert to build confidence and audience engagement before moving into more complex material. It also works beautifully as a warm-up chart at ensemble festivals or as a closing piece on a rehearsal-showcase concert where families want to hear what first-year students have learned.

Skills your students will build

  • Reading and interpreting jazz articulation and swing feel
  • Following written solos and understanding jazz melodic vocabulary
  • Interpreting chord changes and harmonic progression
  • Balancing individual voice clarity within an ensemble texture
  • Responding to rhythm section cues and maintaining groove stability

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