First Favorite Classics: Solo, Book 2 Cover Image

First Favorite Classics: Solo, Book 2: Piano Book

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First Favorite Classics: Solo, Book 2 Cover Image

First Favorite Classics: Solo, Book 2: Piano Book

Ed. E. L. Lancaster and Kenon D. Renfrow

Level: Late Elementary / Early Intermediate

Item: 00-16810

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Description
The pieces in this collection have proven to be favorites of elementary through early intermediate students throughout the years. There are 23 pieces in Book 1 and 33 in Book 2. The Accompaniment Books contain specially composed second keyboard parts for the teacher, parent or more advanced student.

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Additional Details
Series: Favorite Classics
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-1415-3
ISBN13: 978-0-7390-1415-8
UPC: 038081137698
SKU: 00-16810

More about this title

Why we love this

This collection has staying power because the pieces genuinely work in the studio. Students find them accessible without feeling patronized, and the variety across 33 selections means you'll find repertoire for different moods, technical focuses, and recital contexts throughout the year.

What to expect

Familiar territory with real substance. These are pieces students recognize (masterworks that have earned their place in piano literature) but arranged or selected at a level where the technical demands match their developing hands rather than overwhelm them. There's satisfaction in playing real music that sounds intentional and complete.

Who it's for

Late elementary and early intermediate piano students preparing for recitals, studio classes, or personal enrichment. Teachers and independent learners who want curated, proven repertoire without having to assemble collections piece by piece.

How to get the most out of it

  • Explore the specially composed second keyboard parts when you're ready to perform with your students; these arrangements transform solo pieces into collaborative performances that build ensemble listening skills.
  • Map the collection across your studio calendar rather than working through it sequentially; this lets you pull pieces that match what students are technically developing in any given month.
  • Use the page count strategically to space pieces out in recitals or practice portfolios; you have enough material to cycle through different selections each semester without repeating repertoire.

How to use it

Build a semester-long recital program by selecting 3-5 pieces from this collection that showcase different technical and stylistic territory. The 33-piece volume makes it possible to rotate selections annually without repeating your students' repertoire, or use it as a supplementary resource alongside a method book to deepen musicianship through varied literature.

Skills your students will build

  • Reading across different key signatures and time signatures at accessible difficulty levels
  • Phrasing and musical shape in compact forms
  • Pedal usage and control appropriate to each piece's texture
  • Performance stamina for complete pieces rather than studies or fragments
  • Recognizing and interpreting stylistic gestures from classical and romantic traditions

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