First Favorite Classics: Accompaniment, Book 1 Cover Image

First Favorite Classics: Accompaniment, Book 1: Piano Book

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First Favorite Classics: Accompaniment, Book 1 Cover Image

First Favorite Classics: Accompaniment, Book 1: Piano Book

Ed. E. L. Lancaster and Kenon D. Renfrow

Level: Elementary / Late Elementary

Item: 00-14712

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Description
The pieces in this collection have proven to be favorites of elementary through early intermediate students throughout the years. There are 23 pieces in Book 1 and 33 in Book 2. The Accompaniment Books contain specially composed second keyboard parts for the teacher, parent or more advanced student. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, First Favorite Classics: Accompaniment, Book 1: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Favorite Classics
Publisher: Alfred Music
Page Count: 24
UPC: 038081137667
SKU: 00-14712

More about this title

Why we love this

This accompaniment book transforms solo repertoire into genuine duets, giving elementary and late elementary pianists the gift of playing with someone else. The specially composed second parts are written at an accessible level for teachers or advanced students, which means you can accompany your students without struggling through arrangements or simplifications designed for a different purpose.

What to expect

Warm and encouraging. These are pieces that students know and love, now enriched with genuine harmonic support that makes even simple melodies feel full and expressive. Playing with an accompanist transforms a practice-room exercise into a musical conversation.

Who it's for

Elementary and late elementary piano students ready to experience ensemble playing in a structured, musical way. Teachers, parents, and advanced students who want to provide meaningful accompaniment support without arranging or adapting on the fly.

How to get the most out of it

  • Balance the melody line so it emerges clearly over the accompaniment; the second keyboard should support rather than compete for attention.
  • Establish a steady tempo before the student enters, and use the introduction as your chance to lock in the groove together.
  • Experiment with different dynamic relationships between the parts; sometimes the accompanist can voice the harmony higher to create a richer blend.
  • Practice the accompaniment independently first so you can listen intently to your student's phrasing without reading ahead.

How to use it

Use these pieces in studio recitals, festivals, or student showcases where duet performance adds variety and sophistication to the program. They also work beautifully in master classes or group lessons where ensemble experience strengthens listening skills and confidence.

Skills your students will build

  • Playing steadily while listening to a partner's phrasing
  • Maintaining independence in the melody against harmonic movement
  • Recognizing and responding to tempo and dynamic cues from an accompanist
  • Understanding how melody and accompaniment work together to create fuller texture

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