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Fire Dance: Piano Sheet

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Fire Dance Cover Image

Fire Dance: Piano Sheet

By Lynn Freeman Olson

Level: Intermediate

Item: 00-2626

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Description
"Presto con fuoco" makes this A minor showpiece a nice challenge for the intermediate artist, but it is very playable, as most of the sixteenth note passages lie under the fingers without major movement of the hands. Another nice challenge is the need to play legato in one hand and staccato in the other. The style is very "marcato" with many accents and a wide use of the keyboard (including the lowest A on the piano). A Federation Festivals 2016-2020 selection. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fire Dance: Piano Sheet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 4
ISBN10: 1-4706-3487-2
ISBN13: 978-1-4706-3487-2
UPC: 038081039091
SKU: 00-2626

More about this title

About the Composer: Lynn Freeman Olson

Lynn Freeman Olson composed for young and intermediate pianists throughout her career, with a gift for writing music that sounds more advanced than it plays. Her works balance technical challenge with genuine musicality, and many have become staples of festival competitions and recital programs across North America.

Why we love this

Fire Dance delivers real pyrotechnics without requiring massive hand spans or awkward shifts. The hand independence demand (legato against staccato) is the genuine teaching point here, and Olson threads it through music that's genuinely exciting to play, not just technically useful.

What to expect

Fire Dance crackles with propulsive energy from the opening presto marking. The marcato articulation and frequent accents create a sense of contained intensity, while the interplay between legato and staccato gives the piece a driving, almost percussive character that never loses lyricism.

Who it's for

Intermediate pianists ready for festival competition or recital programming who can handle sixteenth note fluency and want to work on meaningful hand independence. This is especially rewarding for students who thrive on rhythmic precision and enjoy the challenge of simultaneous textures in each hand.

How to get the most out of it

  • Map out the hand positions before adding tempo. The sixteenth note patterns sit comfortably under the fingers, but knowing your geography prevents panic at presto speed.
  • Practice the legato and staccato independence by isolating each hand for five minutes before combining them. This coordination takes more rehearsal than the individual lines suggest.
  • Honor the marcato articulation and accents as structural markers, not just surface texture. They define the piece's rhythmic personality and help propel the tempo forward.
  • Use the full keyboard width intentionally. The reaches to the lowest A and upper register aren't show-off moments; they're part of the tonal architecture.

How to use it

Program this as a solo competition selection or mid-recital showpiece where you need something that announces technical competence without overshadowing deeper musical work. It also pairs well in a program with Romantic repertoire, offering a sharp contemporary contrast.

Skills your students will build

  • Hand independence (legato and staccato simultaneously)
  • Sixteenth note facility and finger dexterity
  • Articulation control (marcato and staccato distinction)
  • Keyboard navigation (full range of the piano)
  • Tempo control at presto speeds while maintaining clarity

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