Fingerboard Geography for Viola, Volume 1 Cover Image

Fingerboard Geography for Viola, Volume 1: Viola Book

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Fingerboard Geography for Viola, Volume 1 Cover Image

Fingerboard Geography for Viola, Volume 1: Viola Book

An Intonation, Note-reading, Theory, Shifting System

By Barbara Barber

Item: 00-29123

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Description
String pedagogue Barbara Barber has developed an intonation system which teaches string players the layout of the fingerboard and takes the guesswork out of playing in tune. In Viola Fingerboard Geography, Volume 1, "Finger Marches" establish the 1st finger "home base" note on all four strings. Finger Pattern Exercises -- 12 color-coded patterns -- develop quick, precise action in the left hand without the need for fingerboard tapes. Fingerboard Geography Exercises teach note names, distances, and intervals for all the notes in 1st position. No Fear Shifting has students sailing effortlessly all the way to 8th position on their first day of shifting. Viola Fingerboard Geography, Volume 1, concludes with dozens of Practice Suggestions for pieces in the Suzuki® Viola School, Volumes 1-4, but can be used as a daily warm-up routine and complements perfectly any beginning viola method. The book includes 4 pull-out color-coded Finger Pattern charts.

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Additional Details
Publisher: Preludio Music Inc.
Page Count: 64
ISBN10: 0-7390-5028-1
ISBN13: 978-0-7390-5028-6
UPC: 038081319841
SKU: 00-29123

More about this title

About the Composer: Barbara Barber

Barbara Barber is a string pedagogue whose work has centered on solving one of the most persistent challenges in string education: developing reliable intonation from the earliest stages of learning. Her Fingerboard Geography system represents decades of teaching experience and reflects a deep understanding of how young string players develop spatial awareness and muscle memory at the instrument.

Why we love this

This book transforms fingerboard mastery from abstract concept into concrete, visual learning. The color-coded finger patterns and systematic progression from first position through eighth position give students (and teachers) immediate confidence, while the connection to actual Suzuki repertoire means the exercises reinforce pieces students are already learning rather than existing in isolation.

What to expect

Organized and empowering. The color coding and clear structure remove frustration from fumbling around the fingerboard, while the progressive design makes young players feel competent at each step. By the end of the first section, students experience genuine confidence moving across the strings.

Who it's for

Beginning violists in their first 1-2 years of study who need systematic fingerboard mapping and reliable intonation strategies. Teachers using Suzuki method, standard beginning band/orchestra curricula, or private studio instruction will find this essential for students struggling with left-hand accuracy and position sense.

How to get the most out of it

  • Use the color-coded Finger Pattern charts as visual anchors during daily warm-ups; students internalize patterns fastest when they can see and reference the colors consistently.
  • Anchor first finger placement with the Finger Marches before introducing pattern work, since all subsequent accuracy depends on consistent home base positioning.
  • Return to the same exercises across multiple weeks rather than racing through the book; repetition builds the muscle memory that translates into automatic intonation during repertoire.
  • Reference the Practice Suggestions section when assigning Suzuki pieces, using the relevant Fingerboard Geography exercises as targeted preparation for each new piece's technical demands.

How to use it

Assign as a daily warm-up routine before shifting into repertoire study, allowing 10-15 minutes for Finger Marches and pattern work. When students reach the Suzuki pieces referenced in the book's Practice Suggestions section, pull the corresponding Fingerboard Geography exercise as targeted technical preparation for that week's assigned repertoire.

Skills your students will build

  • First position note recognition and finger placement on all four strings
  • Understanding of finger patterns and intervallic relationships
  • Left-hand accuracy without dependence on fingerboard guides
  • Confident shifting from first position through eighth position
  • Independent intonation awareness and self-correction strategies
  • Reading and applying visual/spatial information to fingerboard navigation

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