Fight the Dragons: TBB Choral Octavo
from the Broadway musical Big Fish
Words and music by Andrew Lippa / arr. Greg Gilpin
Item: 00-PO-0005879
Minimum order quantity: 20 copies
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About the Composer: Andrew Lippa
Andrew Lippa has established himself as a composer and lyricist for Broadway and film, known for creating music that explores human connection and emotional depth. His work spans theatrical storytelling, concert music, and choral arrangements, consistently demonstrating his gift for melody that speaks directly to audiences of all ages.
Why we love this
Gilpin's arrangement captures the emotional core of this Broadway number while writing specifically for men's voices in a way that feels natural, not forced. The piece balances lyrical vulnerability with confident moments that give your singers real things to do, making it rewarding for ensembles serious about both musicality and message.
What to expect
Adventure wrapped in tenderness. The music captures both the sweep of finding magic in the ordinary and the quiet intimacy of a relationship between two people. Gilpin's voicing gives the arrangement warmth and clarity without ever feeling thin.
Who it's for
Men's choirs and TTB/TBB/TTBB ensembles looking for repertoire with real substance and contemporary appeal. This works for high school, college, and community groups seeking a piece that resonates with singers and audiences alike.
How to get the most out of it
- Shape the longer melodic lines with sustained breath support; the song lives in the legit singing space, so resist the urge to oversell early phrases.
- Use the recorded accompaniment to lock the harmonic movement, particularly in the verse sections where the chords support the story more than the rhythm drives it.
- Find the vulnerability in the father-son narrative; this arrangement works best when singers understand the lyrical context and let it inform their dynamic choices.
- Balance tenor and baritone blend in the harmony; check that lower voices aren't covered, especially in moments where they carry counter-melody or harmonic color.
How to use it
Program this as a centerpiece for a concert focused on contemporary Broadway or as a standalone feature that bridges pop and choral sensibilities. It pairs well with other songs about growth and family, and works equally in spring concerts or end-of-year showcases.
Skills your students will build
- Legit singing technique (sustained vowels, breath management for longer phrases)
- Three-part and four-part harmony blend in men's voicings
- Lyrical interpretation and emotional storytelling through music
- Balancing melody and harmony in contemporary arrangements