Field: Nocturne No. 5 Cover Image

Field: Nocturne No. 5: Piano Sheet

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Field: Nocturne No. 5 Cover Image

Field: Nocturne No. 5: Piano Sheet

By John Field / ed. Maurice Hinson

Level: Late Intermediate

Item: 00-6325

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Description
Irish composer John Field had a strong influence on the works of Chopin, Mendelssohn and Schumann, and his collection of nocturnes was praised by Franz Liszt for their beauty. This particular nocturne was written around 1838 and features a beautiful Chopinesque cantabile melody over the left hand broken chord accompaniment. There are performance and historical notes included.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 4
ISBN10: 1-4706-1936-9
ISBN13: 978-1-4706-1936-7
UPC: 038081011691
SKU: 00-6325

More about this title

About the Composer: John Field

John Field (1782-1837) was an Irish pianist and composer who essentially invented the nocturne as a piano genre. Working in Dublin, London, and Russia, he developed a distinctive lyrical style that prioritized singing melody and subtle accompaniment textures over virtuosic display. His nocturnes became the template Chopin would later refine and popularize, earning Field recognition from Franz Liszt and other leading musicians of the era as a composer of genuine poetic sensibility.

Field's influence on Romantic keyboard music extends beyond the nocturne itself. His emphasis on cantabile playing, refined touch, and the piano's capacity for sustained lyrical expression shaped how pianists approached the instrument throughout the nineteenth century. Though overshadowed by his more celebrated successors, Field remains essential listening and playing for anyone serious about understanding the Romantic piano tradition.

Why we love this

This nocturne captures everything that makes Field's writing compelling: an elegantly arching melody that sits perfectly under the hands, accomplished harmonic language that never overshadows the singing line, and a left-hand accompaniment that provides harmonic support without demanding technical pyrotechnics. It's a masterwork that rewards both the performer seeking repertoire of genuine substance and the listener drawn to the quiet beauty of early Romantic piano writing.

What to expect

A moment of intimate reflection frozen in time. The melody unfolds with unhurried grace over gently rocking accompaniment, creating an atmosphere of lyrical introspection that feels both intimate and timeless. Field invites the listener into a private musical conversation, one conducted in elegant, understated language.

Who it's for

Late intermediate pianists ready to explore essential Romantic repertoire beyond the usual suspects. This nocturne suits students with developed cantabile technique and sensitivity to phrase shaping, as well as anyone preparing a recital program that values historical depth and musical substance.

How to get the most out of it

  • Shape the cantabile melody with long, connected phrasing rather than note-to-note articulation; think of how you would sing the line if these were vocal words instead of individual notes.
  • Balance the accompaniment so the broken chords remain unobtrusive; the left hand should feel like a gentle harmonic cushion beneath the melody, never competing for attention.
  • Allow the harmony to breathe through subtle rubato and judicious use of the pedal; Field's writing benefits from careful attention to color and resonance rather than strict rhythmic rigidity.
  • Pay close attention to the performance and historical notes provided in the score; they offer valuable context for interpreting Field's original intentions and the piece's place in piano history.

How to use it

Program this as a bridge between Classical and late Romantic keyboard writing, positioning it alongside a Chopin nocturne to highlight the lineage. It also works beautifully as a quiet centerpiece in a recital focused on song and lyricism, offering a graceful contrast to more virtuosic or dramatic selections.

Skills your students will build

  • Cantabile melody playing with long, singing phrases
  • Left-hand independence and accompaniment texture control
  • Pedal technique for harmonic color and resonance
  • Interpretation of early Romantic keyboard style and rubato
  • Understanding of the nocturne genre and its development

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