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Fiddlin' for Fun Functionally: Violin Book

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Fiddlin' for Fun Functionally: Violin Book

By Patty Nicholas

Item: 00-0678

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Description
Add some variety and a little fun to the traditional violin recital. The Fiddlin' for Fun Functionally books introduce students to the "fiddling" style by taking the beginning violinist through different modifications of several pieces. Students learn about chord structures, bowing techniques, and rhythmic and harmonic variations while having a great time playing familiar tunes. The books are designed so that the student can be accompanied by a teacher, a pianist, or both. The teacher edition is for the violin teacher who cannot accompany the student on the violin without a written part. Having the Teacher's Edition allows the violinist teacher to play along with lessons much like a traditional fiddle teacher would. An accompaniment CD recorded by Alice Joy Lewis is also available. Contents are: Irish Washerwoman * Boil 'Em Cabbage Down * Rubber Dolly * Old Joe Clark * Goofus * Cindy * Fiddlin' Around * Amazing Grace * Liberty * Westphalia Waltz.

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Additional Details
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-87487-678-8
ISBN13: 978-0-87487-678-9
UPC: 029156659863
SKU: 00-0678

More about this title

About the Author: Patty Nicholas

Patty Nicholas has built a career understanding how string students learn best, with particular expertise in making traditional repertoire accessible and engaging. Her work bridges classical pedagogy and folk traditions, helping teachers bring styles beyond the standard etude into their studios.

Why we love this

Most violin books at this level stick to one approach. This one breaks that mold by teaching fiddling as a genuine stylistic skill, not an afterthought. Students get the mechanics (bowing variations, chord awareness, rhythmic flexibility) alongside pieces they actually want to play, which transforms practice from obligation into discovery.

What to expect

Playful and grounded. These are real tunes with folk roots, stripped of the formality that can make early violin feel like work. There's breathing room in the arrangements, space for personality to emerge.

Who it's for

Beginning violinists ready to expand beyond classical technique into a different musical vernacular. Teachers seeking to inject energy into their studio recitals and give students permission to interpret, not just reproduce.

How to get the most out of it

  • Record yourself playing through the accompaniment tracks so you can hear how your phrasing sits against the rhythm section. Fiddle style lives in the space between strict time and rubato.
  • Start each tune at half tempo with a metronome. The rhythmic variations only feel natural once the basic melody sits solid in muscle memory.
  • Ask your student to listen to traditional fiddle recordings of these tunes before they begin learning them. Hearing the idiom in its original context gives them a model that sheet music alone cannot provide.
  • Experiment with different bowing patterns on the same phrase across multiple play-throughs. Fiddling expects flexibility; locking into one bow motion too early closes off options.

How to use it

Perfect for a spring recital segment that showcases versatility and lets young players shine in a less formal style. The familiar melodies also work well for community engagement events where a mix of musical styles reads as more approachable than classical repertoire alone.

Skills your students will build

  • Fiddle bowing patterns and ornamentation
  • Chord-aware accompaniment playing
  • Rhythmic variation within steady time
  • Harmonic improvisation and variation
  • Playing with recorded and live accompaniment
  • Style-specific listening and interpretation

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