Fiddler's Hoedown Cover Image

Fiddler's Hoedown: String Orchestra, Score and Parts

$35.00 USD
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Fiddler's Hoedown Cover Image

Fiddler's Hoedown: String Orchestra, Score and Parts

By Steve Burch

Grade: 2.5

Item: 36-20250562

$35.00
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Description
True to its title, this is a foot-stompin', down home fiddlin' tune for young players. Written in G major, it's a great change of pace. Solo lines can be improvised or read from the parts. The solos are available to the cello and viola parts as well. A great addition to any program.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355062438
SKU: 36-20250562
Instrumentation: String Orchestra

More about this title

Why we love this

Burch captures authentic fiddle idiom without requiring advanced technique, giving Grade 2.5 orchestras genuine folk character. The optional improvisation in solo passages invites young players to make interpretive choices while the written alternatives ensure accessibility. It's refreshing repertoire that feels earned rather than simplified.

What to expect

Energy and swagger without pretense. The piece captures the spirited, conversational nature of fiddle music, where different voices trade phrases and the ensemble moves with collective joy. It sounds like a social gathering of players rather than a formal recital.

Who it's for

Young string orchestras seeking authentic folk arrangements that build stylistic awareness without technical overreach. This suits ensembles at the Grade 2.5 level who are ready for pieces with character beyond classical pedagogy.

How to get the most out of it

  • Encourage rhythmic cohesion in the accompaniment figures by having non-soloing sections focus on precise articulation and unified bow direction; the groove depends on steady pulse underneath the soloists.
  • If students improvise solos, establish boundaries beforehand: keep solos to 4 or 8 bars, stay in G major, and use the written solo as a melodic reference point for style and phrasing.
  • Balance the cello and viola solos against the violin texture by adjusting the number of players on each section rather than asking soloists to project beyond their natural range.
  • Work for a relaxed, dancing quality in the rhythmic accompaniment; this style thrives on a light touch rather than heavy articulation.

How to use it

Program this on a concert that includes folk or Americana repertoire to show range and versatility. It pairs well with classical selections, offering a tonal and stylistic palate cleanser that reminds audiences why young musicians play.

Skills your students will build

  • Reading and executing folk idioms and style markings in orchestral contexts
  • Balanced accompaniment writing for featured solos
  • Optional improvisation within harmonic and rhythmic boundaries
  • Coordination between violin, viola, and cello solos in G major

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