Fiddle-Faddle for Strings with Piano (opt.) Cover Image

Fiddle-Faddle for Strings with Piano (opt.): String Orchestra, Ensemble Works, OS (EDWIN F KALMUS)

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Fiddle-Faddle for Strings with Piano (opt.) Cover Image

Fiddle-Faddle for Strings with Piano (opt.): String Orchestra, Ensemble Works, OS (EDWIN F KALMUS)

By Leroy Anderson

Item: 36-A908101OS

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Description
Like many of his works, Leroy Anderson (1908-1975) wrote Fiddle-Faddle on a commission from Arthur Fiedler of the Boston Pops Orchestra in 1947. Originally written for string orchestra, the title of the work came first, and the music followed. Fiddle-Faddle was conceived as similar to Paganini's Moto Perpetuo, except in a modern style. Very much a violin feature, this string orchestra version was followed the next year by a transcription for full orchestra. An American Pops classic in its original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus. A count of 8-8-5-5-5 strings, along with an optional piano part, is included in the set. 11x14 oversized full score.

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Additional Details
Series: Kalmus Oversized Score Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810419-7
ISBN13: 979-889-810-4191
UPC: 605258749734
SKU: 36-A908101OS
Instrumentation: Piano Solo (opt.), String Orchestra (8-8-5-5-5 in set)

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) composed and arranged music that defined the American popular orchestral sound of the mid-20th century. Working closely with Boston Pops conductor Arthur Fiedler, Anderson crafted accessible, rhythmically inventive works that showcased orchestral color and humor while remaining rooted in strong melodic writing. His output ranged from pops standards to ballet scores, and his gift for memorable counterpoint and clever orchestration made him one of the most performed American composers of his era.

Why we love this

Fiddle-Faddle sits at the rare intersection of genuine musical substance and crowd-pleasing appeal. The violin writing sparkles with virtuosic figuration, yet the piece never sacrifices clear texture or balance; string players at intermediate levels can succeed with focused rehearsal, and your audience will hear technical brilliance, not struggle. It's a legitimate pops classic that reminds ensembles and listeners alike why string orchestras exist.

What to expect

Perpetual motion disguised as lightness and wit. The constant forward momentum of the violin figuration creates infectious energy, while the straightforward harmonic language and clean orchestration keep everything buoyant rather than fussy. It's music that bounces with confidence, designed to make both players and listeners smile.

Who it's for

String orchestras at the intermediate to advanced level will find the violin part gratifying without requiring concertmaster-level facility. This score works equally well for school groups aiming to program pops repertoire and chamber ensembles seeking a piece with genuine virtuosic color. Directors programming a diverse season will appreciate how effectively it showcases string technique while delivering immediate musical satisfaction.

How to get the most out of it

  • Keep the violin figuration light and articulate; this piece thrives on clarity rather than sustained tone. Separate notes from one another without sacrificing legato.
  • Balance the accompaniment voices carefully. The inner strings and cello pizzicato figures need to sit behind the violin lead, creating a transparent texture that lets the audience follow the quick passagework.
  • Maintain steady, confident tempo. Fiddle-Faddle works best when the perpetual motion feels effortless, not labored. Resist the urge to slow down during busy passages.
  • If using the optional piano part, ensure it sits subtly beneath the strings; the orchestration is balanced for strings as the primary color, and the piano should enhance rather than dominate.

How to use it

Fiddle-Faddle earned its place in pops concerts and family-friendly programs for good reason: it programs well between longer works, holds audience attention without demanding serious concentration, and gives your best violinists a moment in the spotlight. Pair it with contrasting repertoire (perhaps a lyrical work on the same program) to let its kinetic energy register fully.

Skills your students will build

  • Rapid scalar passage work and finger facility on violin
  • Rhythmic precision in perpetual motion figurations
  • Balance and blend in an ensemble setting while maintaining voice independence
  • Reading and executing quick, articulate articulations across the string section
  • Coordination between violin soloists and accompanying voices

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