Festival Dance: Late Intermediate Piano Sheet

$4.50 USD

Festival Dance: Late Intermediate Piano Sheet

Name: Festival Dance: Late Intermediate Piano Sheet
Brand: Alfred Music
SKU: 98-JS2006
Price: 4.50 USD
Availability: InStock

By L.E. Bolden

Item: 98-JS2006

$4.50

Shipped

One moment…

Introducing new FJH composer, L.E. Bolden, Festival Dance, is a polymetric (7/8 and 4/8) piece written with light-hearted fun! In three sections, the first and third are light and bouncy while the second is connected and flowing. In the key of G major, it requires fast fingers in repeated patterns, and uses LH octaves and large leaps frequently.

Festival Dance: Late Intermediate Piano Sheet isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.

No sample audio found.

No sample videos found.

Series: The FJH Contemporary Keyboard Sheets

Publisher: The FJH Music Company, Inc.

UPC: 241444434550

SKU: 98-JS2006

More about this title

Why we love this

Bolden writes with genuine playfulness here. The polymetric structure (7/8 and 4/8) never feels academic or forced; instead, it serves the character of each section, making metric variety feel natural rather than imposed. The contrast between the bouncy outer sections and the connected middle movement gives students a complete musical experience at a level where they're ready to handle rhythmic complexity with purpose.

What to expect

Imagine a festival where the energy shifts between moments of spirited, syncopated celebration and quieter, more reflective passages of connection. The piece bounces with genuine joy in the outer sections, then settles into a more grounded, legato middle where G major feels warmer and more intimate.

Who it's for

Late intermediate pianists ready to engage with rhythmic variety as a compositional tool, not a technical obstacle. This piece rewards students who can think about meter as expressive choice rather than constraint, and who have the finger facility to navigate quick repeated patterns cleanly.

How to get the most out of it

Anchor the repeated patterns in your fingers rather than your wrist. These require rhythmic precision without tension; light fingers moving independently give you the control the metric shifts demand.
Shape the leaps and octaves with confidence. They appear frequently enough that hesitating on any one breaks the piece's momentum. Practice them until they feel inevitable, not surprising.
Distinguish the three sections clearly through tempo and tone. Mark the shift from bouncy to flowing explicitly in your preparation; the polymetry can blur sectional identity if you're not deliberate about character changes.
Listen to your left hand in the flowing second section. The octaves anchor the harmonic motion; make sure they're singing, not just hitting the notes.

How to use it

Program this in a recital or student showcase featuring contemporary composers at the late intermediate level. It pairs well with classical sonatinas or romantic character pieces, offering a clear voice that sounds neither imitative nor out of place alongside standard repertoire.