Feel It Still: Marching Band Conductor Score & Parts
As Recorded by Portugal. The Man
Words and music by John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'Quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddy Gorman, and Brian Holland [Portugal. The Man] / arr. Mike Story
Grade: 2 (Easy)
Item: 00-PK-0008038
One moment…
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Feel It Still: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: John Gourley
John Gourley is the lead vocalist and primary songwriter for Portugal. The Man, the psychedelic rock band that achieved mainstream success with their 2017 album "Feeling Your Way Through the Dark." "Feel It Still," co-written with bandmates Zach Carothers, Jason Sechrist, Eric Howk, and Kyle O'Quin, became the group's biggest commercial breakthrough, earning a GRAMMY Award in 2018 and solidifying their place in contemporary pop music.
Gourley's songwriting blends infectious melodies with rhythmic complexity, creating hooks that stick with listeners while maintaining musical substance. His work with Portugal. The Man demonstrates how modern pop songwriting can translate effectively to ensemble settings, making his compositions valuable additions to marching band repertoire that speaks to student musicians' contemporary musical interests.
Why we love this
This arrangement captures what made the original such a hit: the relentless, infectious groove that propels the song forward without ever feeling overcomplicated. At Grade 2, the writing stays true to the song's DNA while remaining genuinely playable for developing ensembles, which means your students get to own a legitimate chart hit rather than a watered-down approximation. The driving percussion and rhythmic precision required here build real musicianship in a style that already has your students' attention.
What to expect
Propulsive and groovy, with a relentless forward motion that feels almost hypnotic in its repetition. The driving percussion and locked rhythmic pulse create an irresistible momentum, while the accessible melodic line lets the entire ensemble shine without getting bogged down in unnecessary complexity.
Who it's for
Marching bands at the Grade 2 level who want to program contemporary music that their students know and care about. This arrangement works equally well for bands looking to expand their pop repertoire or those seeking a high-energy opener or closer that connects with modern audiences.
How to get the most out of it
- Lock the rhythmic foundation early in rehearsal by isolating the percussion section and low brass; the chart lives and dies by how solid that pulse feels, and once it's locked, the rest of the ensemble will fall into place naturally.
- Pay attention to the articulation markings in the melody line, as they define the character of the groove; crisp, clean tonguing on the eighth-note figures keeps the energy bouncing rather than dragging.
- Shape the dynamic contours carefully throughout; this piece has natural build points where the addition of voices creates momentum, and resisting the urge to play everything at full volume until the final push keeps the arrangement fresh across the full performance.
- Use the recorded accompaniment during early sectional rehearsals to help students internalize the groove independently before putting all the parts together.
How to use it
This plays beautifully as a high-energy show opener that captures attention immediately or as a closer that sends the audience out buzzing. It also works well in a program that pairs contemporary pop hits with more traditional marching band fare, helping audiences hear the connection between what their students are playing and the music they hear every day.
Skills your students will build
- Locking rhythmic unison in ensemble settings with emphasis on pulse and consistency
- Articulation control and phrasing in contemporary pop style
- Balance and blend within rhythmic grooves where individual parts cycle and repeat
- Reading Grade 2 charts with mixed rhythmic figures and syncopated phrases
- Ensemble listening and internal time awareness without relying on conducting gesture