Favorite Classics: Accompaniment, Book 1 Cover Image

Favorite Classics: Accompaniment, Book 1: Piano Book

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Favorite Classics: Accompaniment, Book 1 Cover Image

Favorite Classics: Accompaniment, Book 1: Piano Book

Ed. E. L. Lancaster and Kenon D. Renfrow

Level: Early Intermediate / Intermediate

Item: 00-6024

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Description
Contains a variety of favorite pieces for early-intermediate through late-intermediate students from the four stylistic periods of piano repertoire, with skillfully composed second keyboard parts for teacher/parent or more advanced student.

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Additional Details
Series: Favorite Classics
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-2288-1
ISBN13: 978-0-7390-2288-7
UPC: 038081014647
SKU: 00-6024

More about this title

Why we love this

The second keyboard parts transform solo repertoire into genuine collaborative experiences without requiring students to wait passively for their turns. Teachers and advanced students gain meaningful material that deepens rather than merely decorates the primary student's learning.

What to expect

Four centuries of musical language unfold through a single book: the clarity and poise of Baroque forms, the emotional depth of Romantic lyricism, Classical proportion, and modern sensibilities. Playing with a partner transforms these familiar pieces into conversations rather than soliloquies.

Who it's for

Early-intermediate and intermediate piano students who benefit from playing within an ensemble context. Teachers and parents will find reliable, musically satisfying accompaniment material that enriches solo study without requiring additional score preparation.

How to get the most out of it

  • Balance the accompaniment so it supports rather than overshadows the student soloist; the primo part should always project clearly.
  • Use the secondo parts to demonstrate stylistic interpretation first, then invite the student to absorb phrasing and articulation choices through ensemble playing.
  • Experiment with different accompanists (teacher, parent, advanced student) across rehearsals to build the student's confidence playing with varied touch and tempo flexibility.

How to use it

Weave these duets throughout the year as performance pieces for studio recitals, ensemble concert segments, or student-parent collaboration features. They work equally well as teaching tools during weekly lessons, providing natural repertoire for demonstrating pedal use, phrase shaping, and rubato within established classical works.

Skills your students will build

  • Listening to and blending with an accompanying part
  • Maintaining independence while responding to a partner's phrasing
  • Navigating period-specific articulation and ornament conventions across Baroque, Classical, Romantic, and contemporary styles
  • Reading and interpreting stylistically appropriate tempo and dynamic relationships between two keyboard parts

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