Faust (La Damnation de Faust), Op. 24: Dance Of The Sprites Cover Image

Faust (La Damnation de Faust), Op. 24: Dance Of The Sprites: Conductor Score & Parts

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Faust (La Damnation de Faust), Op. 24: Dance Of The Sprites Cover Image

Faust (La Damnation de Faust), Op. 24: Dance Of The Sprites: Conductor Score & Parts

By Hector Berlioz

Item: 36-A130510

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 660355193910
SKU: 36-A130510
Instrumentation: 1+2, 2, 2+1, 4 - 4, 2+2, 3, 0, timp, perc, str

More about this title

About the Composer: Hector Berlioz

Hector Berlioz (1803-1869) was a French composer whose radical orchestration and dramatic vision fundamentally changed how composers thought about instrumental color and large ensemble writing. His innovations in scoring—layering woodwinds, expanding the brass section, and treating percussion as expressive rather than merely rhythmic—established techniques still taught in orchestration classes today.

Berlioz's operatic and symphonic works demand conductors and musicians engage with music as theater. His score for La Damnation de Faust showcases his genius for creating vivid musical imagery; each movement paints a distinct scene from Goethe's play with orchestral precision and imagination.

Why we love this

The Dance of the Sprites captures one of Berlioz's most playful and transparent orchestral moments, offering conductors a chance to teach rhythmic precision and clarity without sacrificing dramatic flair. The piece sits at an ideal difficulty level for advancing orchestras: technically accessible enough to focus on ensemble balance and character, yet sophisticated enough in its orchestration that players hear why Berlioz matters in the history of the instrument.

What to expect

Mischievous and whimsical, with a delicate energy that requires precision to maintain its lightness. The writing darts between instrumental colors, creating a sense of motion and playfulness that keeps performers engaged and listeners delighted.

Who it's for

Conductors of community, university, and advanced high school orchestras looking for a showpiece that builds ensemble technique without requiring a massive instrumentation. Musicians who want to experience Berlioz's orchestration directly, learning through performance why his voice mattered to the development of the orchestra.

How to get the most out of it

  • Balance the woodwind scoring by letting lighter colors emerge from thicker textures; Berlioz layers 1st and 2nd flutes, oboes, and clarinets, so resist the urge to mix them into a generic blend.
  • Establish a clear pulse before rehearsal and maintain rhythmic independence between sections, especially where the horns and trumpets punctuate the woodwind figuration.
  • Mark percussion cues clearly in all parts so timpani and triangle entries land without hesitation; these details define the piece's sparkle and energy.
  • Shape dynamic contrasts with precision rather than exaggeration; Berlioz writes specific dynamic markings for dramatic effect, not atmospheric mood.

How to use it

Pair this with other 19th-century orchestral excerpts or dances (Gounod, Offenbach) to create a concert exploring operatic orchestration and French Romantic wit. It works equally well as an opener to energize an audience or as a lighter moment between weightier works.

Skills your students will build

  • Balancing multiple woodwind colors within a single harmonic sonority
  • Maintaining rhythmic precision in fast, intricate ensemble passages
  • Responding to subtle dynamic and articulation contrasts that define character
  • Coordinating complex percussion and timpani cues with melodic lines

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