Faust (La Damnation de Faust), Op. 24: Dance Of The Sprites Cover Image

Faust (La Damnation de Faust), Op. 24: Dance Of The Sprites: Conductor Score & Parts

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Faust (La Damnation de Faust), Op. 24: Dance Of The Sprites Cover Image

Faust (La Damnation de Faust), Op. 24: Dance Of The Sprites: Conductor Score & Parts

By Hector Berlioz

Item: 36-A130508

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 660355193897
SKU: 36-A130508
Instrumentation: 1+2, 2, 2+1, 4 - 4, 2+2, 3, 0, timp, perc, str

More about this title

About the Composer: Hector Berlioz

Hector Berlioz (1803-1869) was a French Romantic composer who fundamentally expanded the possibilities of orchestral color and dramatic expression. His innovative use of the orchestra, distinctive harmonic language, and gift for blending instrumental timbres made him one of the most influential composers of the nineteenth century. Beyond his role as a composer, Berlioz was also a prolific conductor, music critic, and author whose writings on orchestration and performance practice shaped how musicians approached his own work and that of his contemporaries.

Berlioz's dramatic sensibilities and orchestral mastery are on full display in "La Damnation de Faust" (The Damnation of Faust), his 1846 dramatic legend for soloists, chorus, and orchestra. The work reimagines Goethe's Faust story with Berlioz's characteristic intensity and color, and contains some of his most instantly recognizable and theatrically compelling music, including the famous "Marche hongroise" and this delightful scherzo.

Why we love this

This movement offers orchestras a chance to tackle genuine Romantic orchestration at a scale that works for advanced ensembles without the full demands of the complete opera. The Dance of the Sprites is pure theatrical delight: transparent, rhythmically incisive, and endlessly charming. Directors will appreciate how Berlioz's brilliant part-writing rewards disciplined ensemble playing while staying accessible to orchestras with strong woodwind and string sections.

What to expect

Delicate, mischievous, and almost supernatural. The Dance of the Sprites shimmers with orchestral color: woodwinds dart and weave, strings provide gossamer accompaniment, and the harp and percussion add an otherworldly shimmer. There is lightness and humor here, not grandeur, yet the sophistication of Berlioz's orchestration keeps the texture from ever feeling trivial. This is enchantment rendered with impeccable craft.

Who it's for

This work suits advanced high school and college orchestras with solid woodwind sections and competent string players who can handle transparent Romantic textures. It works equally well for professional chamber orchestras seeking a lighter, charming alternative to heavier repertoire. Any ensemble comfortable with Berlioz's orchestral language and looking for a complete, manageable excerpt from the Romantic opera repertoire will find this rewarding.

How to get the most out of it

  • Prioritize clarity in the woodwind doubling and inner lines; Berlioz composed for transparency, so avoid heavy vibrato and excessive rubato that will obscure the orchestration's wit.
  • Shape the rhythmic motifs with precise articulation rather than dynamic extremes; the humor and energy come from rhythmic vitality and clean attacks.
  • Balance the harp and percussion against the ensemble carefully; these colors define the movement's character but should not overwhelm the orchestral framework.
  • Allow the tempo to settle into a consistent, dancing quality; resist the urge to rush, which will undermine the Sprites' supernatural elegance.

How to use it

Program this as a contrasting showpiece between weightier Romantic works or at the opening of a concert to establish an atmosphere of refinement and theatrical charm. It pairs beautifully with other French Romantic orchestral excerpts or lighter German symphonic fare. The short, complete form makes it ideal for chamber orchestra concerts, film score retrospectives, or programming alongside operatic extracts.

Skills your students will build

  • Balancing transparent orchestration with distinct woodwind and string colors
  • Precision in articulation and rhythmic coordination across multiple woodwind lines
  • Awareness of Romantic-era harp and percussion color within an orchestral context
  • Reading and executing rapid, intricate rhythmic figures in ensemble
  • Shaping musical phrasing in a scherzo movement without losing textural clarity

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