Farmer Tan Cover Image

Farmer Tan: SATB Choral Octavo

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Farmer Tan Cover Image

Farmer Tan: SATB Choral Octavo

From the Musical Pump Boys and Dinettes

Words and music by Jim Wann / arr. Michael Spresser

Item: 00-38250

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Description
A great novelty tune for your choirs, from the Tony-nominated musical Pump Boys and Dinettes. "Every girl wants a man with a farmer tan!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081427218
SKU: 00-38250

More about this title

About the Composer: Jim Wann

Jim Wann is a composer and lyricist best known for creating Pump Boys and Dinettes, the off-Broadway musical that became a Tony-nominated hit in 1982. His work spans theater, television, and film, with a particular gift for blending humor, heart, and accessibility into entertaining musical moments that audiences remember long after the curtain falls.

Why we love this

This arrangement brings genuine comedic energy to the choral repertoire without sacrificing musicality or vocal writing. Choirs respond eagerly to material this fun, and audiences light up the moment they recognize the tune and catch the title's cheeky premise. It's the kind of piece that reminds singers why they joined choir in the first place.

What to expect

Lighthearted and clever, with a country-pop sensibility that feels fresh in a choral setting. The melody is instantly memorable and the arrangement bounces with personality without ever devolving into camp.

Who it's for

Choirs looking for quality novelty material that actually works in performance and engages both singers and audiences. This piece suits intermediate-to-advanced ensembles comfortable with rhythmic independence and contemporary pop arranging.

How to get the most out of it

  • Lean into the comedic timing. This piece thrives on clarity of diction and rhythmic precision, especially in sections where the humor lands hardest.
  • Balance the recorded accompaniment carefully so the vocals stay in the spotlight. The arrangement supports your singers, not the other way around.
  • Let the altos and tenors lock their rhythmic figures early in rehearsal. Their parts drive the groove of the whole piece.
  • Work for conversational phrasing in the upper voices so the lyrical content feels natural and playful, not stiff or overly careful.

How to use it

Perfect as a concert opener or closer when you want to build audience rapport and set a fun tone. It also works well as a contrast piece in a longer program built around more serious repertoire, giving your singers a moment to shine and audiences permission to laugh.

Skills your students will build

  • Rhythmic independence and ensemble lock in contemporary pop arrangements
  • Diction clarity in comedic material
  • Blend and balance within SATB voicing while maintaining character and humor
  • Interpretation of recorded accompaniments in a rehearsal and performance context

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