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Farewell at Dawn: Concert Band Conductor Score

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Farewell at Dawn Cover Image

Farewell at Dawn: Concert Band Conductor Score

By Bruce W. Tippette

Grade: 0.5 (Very Easy)

Item: 00-44177S

$7.00
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Description
As its title suggests, "Farewell at Dawn" is a musical expression of bidding farewell to the night and beginning a new day. The piece opens softly with a gentle motive that evolves through simple, yet expressive material. A short quasi-canon provides a transition for a climax that resolves peacefully using the original musical motive. This is a piece with a mature, lyrical sound that can be performed by the youngest of bands. (1:45)

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Additional Details
Series: Alfred Debut Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081505992
SKU: 00-44177S

More about this title

About the Composer: Bruce W. Tippette

Bruce W. Tippette

Bruce W. Tippette combines classical training with a prolific output across concert works, film, and collaborative projects. He earned his Master of Music in composition from the University of North Carolina School of the Arts and holds dual bachelor degrees in composition/theory and music education from Appalachian State University. His orchestra piece Unconquered won the 2012 Mary Starling Composition Competition and received multiple performances by the Winston-Salem Symphony, while his piano solo Dance of Fire earned the Lynn Freeman Olson Composition Award.

Tippette's work spans diverse contexts: he has composed original scores for choreography and film, collaborated with Cirque du Soleil and UNCSA on experimental commissioned works (2012-2014), and co-created music for a children's musical. Currently, he teaches music composition, theory, piano, and voice at the Community Music School of UNCSA, serves as Youth Music and Handbell Director at Augsburg Lutheran Church, and works as a rehearsal accompanist and freelance music engraver. He resides in Winston-Salem, North Carolina.

Why we love this

This piece proves that young bands can perform with genuine artistry and lyrical maturity without technical compromise. The opening motive unfolds organically through the work, giving emerging musicians a clear musical anchor while the quasi-canon transition and peaceful climax reward their listening skills. At just one minute forty-five seconds, it fits perfectly into a concert or festival program without demanding an extended rehearsal investment.

What to expect

The music captures that quiet moment between darkness and first light. A gentle, unfolding melody emerges almost tentatively, gains substance through layered harmonies, reaches a warm climax, and settles back into peaceful resolution. The overall effect is reflective and hopeful, with a lyrical quality that feels natural rather than saccharine.

Who it's for

Beginning concert bands and first-year ensembles seeking repertoire that sounds mature and expressive without requiring advanced technique. This piece works equally well for middle school bands establishing their sound and young high school ensembles building concert skills.

How to get the most out of it

  • Shape the opening motive with gentle dynamic contours from the first entrance; this quiet gesture sets the entire piece's reflective character and demands precise ensemble balance from your youngest players.
  • Let the quasi-canon section breathe naturally without forcing artificial clarity between voices; the transition works best when each section hears and responds to what surrounds it rather than standing apart.
  • Approach the climax as a unified swell rather than a dramatic explosion; the resolution back to the original motive should feel inevitable and peaceful, not arrived at through force.

How to use it

Use this as an opener or a bridging piece between more assertive works; its brief duration and contemplative mood make it an excellent closer for a first half or a delicate counterweight to heavier selections. It serves equally well in contest festivals, especially when your band needs a moment of stillness amid a varied program.

Skills your students will build

  • Sustaining soft dynamic levels with tonal control and ensemble balance
  • Following a clear melodic line through multiple instrumental voices
  • Understanding how a single musical motive can develop and transform across a complete work
  • Responding to expressive shape and phrasing in lyrical material
  • Maintaining consistent ensemble blend in polyphonic textures

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