Fantasy on an Irish Clogging Tune: Concert Band Conductor Score & Parts
By John Kinyon
Grade: 1 (Very Easy)
Item: 00-PK-0000181
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fantasy on an Irish Clogging Tune: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: John Kinyon

John Kinyon earned degrees from Ithaca College and the Eastman School of Music, along with an honorary doctorate from Limestone College in South Carolina. His career spans instrumental music direction, music department administration in multiple school districts, educational leadership at Warner Brothers Music in New York, and music education faculty work at the University of Miami.
Kinyon is recognized for writing accessible educational music across a wide range of styles. Over the course of his career, he has published more than 250 original compositions for Alfred Music, including marches, ballads, and overtures that span Grade 1 through Grade 3 difficulty levels. Since 1982, he has continued composing from his home in Tuckasegee, North Carolina.
Why we love this
Kinyon understands what beginning band students can handle, and this arrangement proves it. The Irish flavor gives the piece character without asking your ensemble to navigate complex rhythms or demanding technique, making it a confident choice for a concert program that still sounds genuinely musical.
What to expect
The arrangement captures the lilt and energy of Irish folk tradition, with toe-tapping rhythms that feel both authentic and playful. Students perform music that sounds genuinely appealing rather than didactic, which builds confidence and demonstrates that Grade 1 repertoire can deliver real musical satisfaction.
Who it's for
This piece is ideal for beginning to early intermediate concert bands seeking repertoire that develops foundational skills without overwhelming students. It works especially well for programs aiming to introduce world music traditions and keep audiences engaged with recognizable, spirited material.
How to get the most out of it
- Balance the melody across your woodwinds so the recognizable tune cuts through clearly; unison passages benefit from secure intonation and matching articulation.
- Encourage steady, rhythmic precision in the rhythmic figures to maintain that Irish dance quality without rushing.
- Keep the accompaniment figures light and supporting rather than heavy, which lets the melody sing and preserves the tune's accessibility.
How to use it
Program this early in a concert to establish an energetic mood and set an audience-friendly tone. It pairs well with other world music selections or works as a palate cleanser between more serious contemporary pieces.
Skills your students will build
- Playing clear, unified articulation in ensemble settings
- Maintaining steady rhythm in simple meters (4/4)
- Balancing melody and accompaniment parts
- Developing foundational finger dexterity across all wind and percussion voices
- Responding to conducting patterns for sectional clarity