Fantasy on an Early American Marching Tune Sheet Music Preview

Fantasy on an Early American Marching Tune: Concert Band Conductor Score & Parts

By Robert Sheldon

Grade: 2.5 (Medium Easy)

Item: 00-PK-0001427

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Product Price Quantity
Fantasy on an Early American Marching Tune: Score $8.00
Fantasy on an Early American Marching Tune: Flute $3.00
Fantasy on an Early American Marching Tune: Oboe $3.00
Fantasy on an Early American Marching Tune: Bassoon $3.00
Fantasy on an Early American Marching Tune: 1st B-flat Clarinet $3.00
Fantasy on an Early American Marching Tune: 2nd B-flat Clarinet $3.00
Fantasy on an Early American Marching Tune: B-flat Bass Clarinet $3.00
Fantasy on an Early American Marching Tune: E-flat Alto Saxophone $3.00
Fantasy on an Early American Marching Tune: 2nd E-flat Alto Saxophone $3.00
Fantasy on an Early American Marching Tune: B-flat Tenor Saxophone $3.00
Fantasy on an Early American Marching Tune: E-flat Baritone Saxophone $3.00
Fantasy on an Early American Marching Tune: 1st B-flat Trumpet $3.00
Fantasy on an Early American Marching Tune: 2nd B-flat Trumpet $3.00
Fantasy on an Early American Marching Tune: 1st F Horn $3.00
Fantasy on an Early American Marching Tune: 1st Trombone $3.00
Fantasy on an Early American Marching Tune: 2nd Trombone $3.00
Fantasy on an Early American Marching Tune: Baritone B.C. $3.00
Fantasy on an Early American Marching Tune: Baritone T.C. $3.00
Fantasy on an Early American Marching Tune: Tuba $3.00
Fantasy on an Early American Marching Tune: Mallets $3.00
Fantasy on an Early American Marching Tune: 1st Percussion $3.00
Fantasy on an Early American Marching Tune: 2nd Percussion $3.00
Fantasy on an Early American Marching Tune: Timpani $3.00
Fantasy on an Early American Marching Tune: (wp) E-flat Alto Clarinet $3.00
Fantasy on an Early American Marching Tune: (wp) B-flat Contrabass Clarinet $3.00
Fantasy on an Early American Marching Tune: (wp) E-flat Contrabass Clarinet $3.00
Fantasy on an Early American Marching Tune: (wp) 1st Horn in E-flat $3.00
Fantasy on an Early American Marching Tune: (wp) 1st B-flat Trombone B.C. $3.00
Fantasy on an Early American Marching Tune: (wp) 1st B-flat Trombone T.C. $3.00
Fantasy on an Early American Marching Tune: (wp) 2nd B-flat Trombone B.C. $3.00
Fantasy on an Early American Marching Tune: (wp) 2nd B-flat Trombone T.C. $3.00
Fantasy on an Early American Marching Tune: (wp) B-flat Baritone B.C. $3.00
Fantasy on an Early American Marching Tune: (wp) B-flat Tuba B.C. $3.00
Fantasy on an Early American Marching Tune: (wp) B-flat Tuba T.C. $3.00
Fantasy on an Early American Marching Tune: (wp) E-flat Tuba B.C. $3.00
Fantasy on an Early American Marching Tune: (wp) E-flat Tuba T.C. $3.00

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Description
Fantasy on an Early American Marching Tune is based on the popular fife and drum melody, "The Girl I Left Behind Me." All melodies and countermelodies in the piece are drawn from this well-known theme, as they are altered and re-worked to create new melodic material. An excellent piece for festival or contest use, and a delightful addition to any concert program! (3:10)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fantasy on an Early American Marching Tune: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 250
SKU: 00-PK-0001427

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon's work dominates the concert band repertoire at every level, from middle school through professional ensembles. His output is staggering, hundreds of publications, countless commissions, and a presence on virtually every significant contest and festival list worldwide. He co-authored Sound Innovations, the standard method book for young band musicians, and has earned recognition from the American School Band Directors Association, Phi Beta Mu, and ASCAP for his contributions to wind band literature.

As a guest conductor and clinician, Sheldon brings his expertise to All-State bands, regional honors ensembles, and universities across six continents. His music has been performed at Carnegie Hall, Symphony Hall Boston, Orchestra Hall Chicago, the Sydney Opera House, and the Kennedy Center. In 2020, VanderCook College of Music awarded him an honorary doctorate in recognition of his impact on music education.

Why we love this

Sheldon takes a single familiar melody and transforms it into something that keeps audiences engaged while remaining accessible to younger ensembles. The piece demonstrates how strong compositional technique can breathe new life into a well-known theme without requiring virtuosic technical demands from your band.

What to expect

Energetic and nostalgic at once, the familiar marching tune grounds the listener while constant melodic variation keeps the ear engaged. The piece carries the spirit of early American patriotic music without ever feeling quaint or dated.

Who it's for

Grade 2.5 ensembles preparing for festival or contest will find this piece both rewarding and manageable. It works equally well for directors building programming that balances accessibility with musical substance.

How to get the most out of it

  • Highlight the contrast between sections by adjusting the weight and color of the articulation; the main theme needs clarity, while the variations benefit from a rounder, more lyrical approach
  • Use the countermelodies to create a sense of dialogue between sections; make sure inner voices are audible without covering the primary material
  • Shape the phrase endings deliberately to preserve forward momentum across the three-minute arc, preventing the fantasy structure from feeling episodic

How to use it

Open a patriotic-themed concert with this piece to establish energy and familiarity, or use it as a crowd-pleasing centerpiece that sits comfortably between more demanding works. It pairs naturally with other Americana-influenced concert band repertoire and gives audiences an immediate point of connection.

Skills your students will build

  • Sustaining musical shape across multiple melodic variations derived from a single theme
  • Balancing primary melodies against supporting countermelodies in ensemble texture
  • Executing clear articulation changes that define sectional contrasts
  • Reading and executing the specific demands of Grade 2.5 concert band scoring

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