Fantasy on an African-American Spiritual Cover Image

Fantasy on an African-American Spiritual: Concert Band Conductor Score

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Fantasy on an African-American Spiritual Cover Image

Fantasy on an African-American Spiritual: Concert Band Conductor Score

(My Lord What a Morning)

Arr. Bruce Preuninger

Grade: 3 (Medium)

Item: 00-19535S

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Description
Bruce Preuninger has successfully managed to capture the sound and feel of the spiritual in the context of a large ensemble. In Fantasy on an African-American Spiritual, the composer has arranged the famous spiritual "My Lord what a Morning," for Grade 3 concert band. It opens with an incredible surge of harmony in chorale style. This leads to the faster main section that features jazzy rhythms with creative percussion accompaniment. This one is a real treat! This title is available in MakeMusic Cloud.

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 32
UPC: 038081177922
SKU: 00-19535S

More about this title

About the Arranger: Bruce Preuninger

Bruce Preuninger

Bruce Preuninger earned his undergraduate degree in Music Education from Eastern Washington University and went on to complete a Master of Arts in Administration and Curriculum at Gonzaga University, where his focus centered on K-12 music curriculum development. He spent 36 years as an instrumental music educator in Washington public schools, serving first in Bellevue and later in the East Valley School District of Spokane before retiring in 2005.

Since 1999, Preuninger has been a published composer with Alfred, and his works for band have become fixtures on state and international contest and festival programs. His arrangement work reflects the deep understanding of school ensemble capabilities that comes from decades spent in the rehearsal room.

Why we love this

Preuninger strikes a genuine balance between honoring the spiritual's essential character and giving a Grade 3 ensemble something genuinely rewarding to perform. The chorale opening establishes dignity and reverence, while the pivot to jazzy rhythmic material keeps the energy engaging without undermining the source material. This is the kind of arrangement that teaches students something about style and arrangement technique while remaining purely fun to conduct.

What to expect

The piece opens with hushed reverence, a chorale of rich harmonic color that immediately establishes the spiritual's dignity. Then the energy shifts; jazzy rhythms and creative percussion colors transform the familiar melody into something that feels both rooted in tradition and alive in the present moment.

Who it's for

Grade 3 concert bands ready to explore sacred music with stylistic depth and modern arranging sensibilities. This works equally well for groups seeking meaningful repertoire for a specific concert and for ensembles building their understanding of spiritual traditions in an accessible context.

How to get the most out of it

  • Shape the opening chorale with careful attention to the harmonic progression; let the voices breathe as a unified block rather than racing through the changes.
  • Lock in the rhythmic precision during the main section by having the rhythm section establish a confident pocket first, then layer the melodic content around that foundation.
  • Balance the jazz-inflected figures in the winds against the creative percussion writing; this texture is delicate and can muddy quickly if any section oversells its part.
  • Allow the ensemble to feel the groove of the faster material rather than subdividing mechanically; a conductor's relaxed, confident pulse here will translate into genuine swing feel from the players.

How to use it

Program this as a centerpiece for a concert exploring American musical heritage, pairing it with other sacred or folk-influenced works. It also serves beautifully as an opener, establishing an emotional tone that can frame the rest of your concert. The Grade 3 difficulty makes it feasible even for mid-season programming without requiring months of preparation.

Skills your students will build

  • Reading and executing jazz rhythmic figures (syncopation, swing feel)
  • Balancing chorale-style harmonic texture with clear voice independence
  • Responding to and supporting creative percussion writing
  • Recognizing and interpreting arranging techniques that transform a single melody across contrasting sections
  • Performing with dynamic control across a wide range of expression

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