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Fantasy for Tuba: Tuba Part(s)

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Fantasy for Tuba Cover Image

Fantasy for Tuba: Tuba Part(s)

By Malcolm Arnold

Level: Advanced

Item: 12-0571503241

$12.99
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Description
The best selling, terrific fantasy piece for Tuba by Malcolm Arnold.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50324-1
ISBN13: 978-0-571-50324-7
UPC: 9780571503247
SKU: 12-0571503241

More about this title

About the Composer: Malcolm Arnold

Malcolm Arnold (1921-2006) was a British composer whose prolific output spanned symphonies, concertos, film scores, and chamber works. He possessed an uncanny ability to write idiomatically for every instrument in the orchestra, with a particular gift for brass writing that balanced technical demands with immediate musical reward. His works for solo instruments remain staples of competition circuits and recital halls because they showcase both compositional sophistication and genuine performer engagement.

Why we love this

Arnold crafted a fantasy that respects the tuba's lyrical possibilities while delivering the kind of technical challenges that serious soloists crave. This piece has earned its place as a perennial festival favorite because it's genuinely fun to play, the writing sings, the passagework feels natural under the hands, and the overall arc gives performers room to demonstrate musicianship beyond mechanics.

What to expect

The fantasy unfolds with the rhetorical freedom its name suggests, Arnold moves between lyrical, introspective passages and passages of virtuosic display, always maintaining a sense of musical continuity. The harmonic language is approachable without being simplistic; the tuba emerges as a fully realized solo voice rather than a rhythm section instrument stepping into the spotlight.

Who it's for

Advanced tuba soloists preparing for competitions, festivals, or solo recitals will find an ideal vehicle for demonstrating mature musicianship and command of the instrument. This piece demands secure high register facility, rhythmic precision, and the kind of musical judgment that comes from serious study.

How to get the most out of it

  • Shape the opening phrase with breath support that creates a singing line; Arnold's lyricism depends on legit legato rather than disconnected articulation.
  • Balance technical display passages with the character studies Arnold weaves between them; flashiness without context becomes mere calisthenics.
  • Consult the accompaniment carefully for tempo rubato cues; Arnold leaves room for give and take, especially in transitional moments.

How to use it

Pair this with another shorter tuba solo or a chamber work to create a satisfying solo showcase that speaks to broad audience appeal. It also serves as an excellent culminating recital piece for advanced studio students or an outstanding selection for young professionals auditioning for positions.

Skills your students will build

  • Sustained singing tone across the full range of the instrument
  • Technical facility in rapid scalar and arpeggio passages
  • Dynamic control and tonal variety within a single phrase
  • Musical phrasing independent of harmonic accompaniment
  • Stylistic navigation of 20th-century harmonic language

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