Fantastic Tales Cover Image

Fantastic Tales: Piano Sheet

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Fantastic Tales Cover Image

Fantastic Tales: Piano Sheet

By Tom Gerou

Level: Early Elementary

Item: 00-34297

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Description
This charming solo is written in Middle C position and 3/4 meter. The melody is divided between the hands. The delightful lyrics are sure to spark the imaginations of young piano students. Compositional devices include a first and second ending, a variety of dynamics and some accidentals. An optional duet accompaniment is provided to add harmonic interest and aid in keeping a steady tempo.

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Sample Pages

Sample Audio

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Additional Details
Series: Signature Series
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-6619-6
ISBN13: 978-0-7390-6619-5
UPC: 038081380704
SKU: 00-34297

More about this title

About the Composer: Tom Gerou

Tom Gerou

Tom Gerou has established himself as a prolific composer and music educator through more than 160 published works spanning multiple genres and formats. His contributions to music education include foundational reference texts (Essential Dictionary of Music Notation, Essential Dictionary of Orchestration) alongside pedagogical piano repertoire that bridges classical study and contemporary arrangements. His piano writing appears throughout Alfred's catalogs and has earned recognition through commissions from major music organizations, two Los Angeles Drama Critics Circle Awards for theatrical composition, a Morton Gould Young Composer Award, and multiple other accolades.

Gerou studied composition at the University of Southern California and Yale University, where he earned his Master of Music degree. He has conducted workshops internationally across North America, Australia, and Asia, sharing his expertise in composition and music education with teachers and students worldwide.

Why we love this

Young pianists respond to storytelling, and this piece leverages that instinct through its charming narrative and approachable technical design. Gerou's use of Middle C position with hand division keeps the reading manageable while the 3/4 meter and optional duet accompaniment create genuine ensemble experience at the early elementary stage. The compositional devices (first and second endings, varied dynamics, accidentals) build musicianship without overwhelming students who are still consolidating basic reading skills.

What to expect

The piece invites listeners into an imaginative world painted through melody and harmonic accompaniment. The 3/4 waltz meter and accessible hand division create a sense of gentle movement, while the accidentals and varied dynamics add subtle surprises that keep the musical journey engaging.

Who it's for

Early elementary pianists preparing for recital performance or studio milestones will find this piece both achievable and rewarding. Its narrative quality appeals to students who are beginning to understand that music can tell a story, while the technical scope respects their current reading and hand position skills.

How to get the most out of it

  • Prepare the duet accompaniment if you're performing this with a teacher or advanced peer; the harmonic support will reinforce your sense of steady pulse, particularly through any tempo fluctuations in the slower sections.
  • Shape the dynamic contrasts deliberately rather than treating them as abstract markings. Each change in volume should reflect a shift in the emotional tone of the story.
  • Practice the hand division slowly, ensuring both hands enter and exit cleanly at their assigned moments. The melody relies on coordination between hands, so isolate transitions before performing at tempo.

How to use it

Feature this as an opening or early spot in a student recital where its charm and clarity will engage families while building confidence in the young performer. The optional duet arrangement also makes it suitable for mixed-ability studio showcases where advanced students can support earlier learners.

Skills your students will build

  • Reading in Middle C position with hand division
  • Understanding and executing first and second endings
  • Interpreting dynamic markings (forte, piano, mezzo-forte) and shaping phrases accordingly
  • Recognizing and playing accidentals within a familiar tonal context
  • Maintaining steady tempo in 3/4 meter
  • Coordinating rhythmic and melodic entries between hands

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