Fantasies for Piano: Piano Book

Name: Fantasies for Piano: Piano Book
Brand: Alfred Music
SKU: 00-K09538
Price: 9.95 USD
Availability: InStock

By Georg Philipp Telemann

Item: 00-K09538

$9.95

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A collection of piano solos expertly composed by Georg Philipp Telemann.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fantasies for Piano: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Kalmus Edition

Publisher: Alfred Music

Page Count: 36

ISBN10: 0-7579-0791-1

ISBN13: 978-0-7579-0791-3

UPC: 654979049722

SKU: 00-K09538

More about this title

About the Composer: Georg Philipp Telemann

Georg Philipp Telemann (1681-1767) was one of the most prolific composers of the Baroque era, leaving behind nearly 3,000 compositions across nearly every genre imaginable. A contemporary of Bach and Handel, Telemann held prestigious positions in Frankfurt, Paris, and Hamburg, and his music was widely published and performed throughout Europe during his lifetime.

Telemann's keyboard works reveal a composer equally at home writing virtuosic display pieces and intimate chamber works. His fantasies showcase the ornamental language and harmonic sophistication of the Baroque while remaining remarkably accessible to players of intermediate skill. Teachers value his music for its elegant balance between technical challenge and musical substance.

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Why we love this

Telemann's fantasies occupy a sweet spot in the Baroque keyboard repertoire: they demand genuine musicianship and finger work without the architectural complexity of Bach or the theatrical demands of later sonatas. Students encounter authentic Baroque idioms—ornaments, hand-crossing, and period phrasing—while building confidence on pieces that actually sound impressive in recital.

What to expect

Telemann's fantasies shimmer with elegant invention and light virtuosity. The music unfolds with natural grace, moving fluidly between animated passagework and moments of harmonic reflection, creating a sense of conversational storytelling rather than formal architectural development. There's a directness and clarity to these pieces that feels both fresh and historically grounded.

Who it's for

Intermediate to late-intermediate pianists ready to engage with Baroque keyboard literature beyond the Bach Inventions and Italian Concertos. These fantasies suit students preparing for competitions, recitals, or simply expanding their stylistic range with repertoire that bridges the gap between early Baroque keyboard work and the Classical sonata.

How to get the most out of it

Shape the ornaments (trills, turns, mordents) with the local harmonic rhythm rather than as mechanical decorations; let them breathe within the measure's pulse.
Observe the hand distribution on the page carefully; Telemann's writing often asks the right hand to jump between registers, requiring clean execution and thoughtful pedaling.
Treat the slower sections as opportunities for expressive weight; even brief adagio passages deserve space and tonal warmth.
Track the harmonic progression underlying the figurework so fast passages don't become empty display.

How to use it

Feature individual fantasies from this collection on student recitals as standalone works, or pair them with Classical-era pieces to illustrate the stylistic shift from late Baroque keyboard writing to the emerging sonata form. The variety within the collection also makes it ideal for semester-long solo repertoire that builds specific technical and interpretive skills over time.