Fanfare of the Bells: Concert Band Conductor Score & Parts
By Mark Lortz
Grade: 2.5
Item: 98-DB1398
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About the Composer: Mark Lortz

Mark Lortz directs the music program at Stevenson University and serves as a music editor for RWS Music Company. His compositional work has earned ASCAP recognition year after year, with premieres at major venues including The Midwest Clinic and the Bands of America National Percussion Festival. Publications and recordings of his music have been featured in Gramophone and The Instrumentalist, while selections appear on Bandworld's Top 100 and J.W. Pepper's Editor's Choice lists.
Beyond the concert hall, Lortz brings deep experience in percussion performance and brass arranging, including work with the multi-world champion Reading Buccaneers Drum and Bugle Corps. He has conducted and arranged for the U.S. Army Field Band, the U.S. Naval Academy Drum and Bugle Corps, and major orchestras nationwide. A frequent clinician and adjudicator, he has led sessions at regional and state conferences and was named an Outstanding Educator by the Maryland Music Educators' Association in 2024. He holds a Ph.D. in Music Education from Temple University and degrees from the Peabody Institute.
Why we love this
This fanfare delivers immediate impact without demanding advanced technique. Lortz writes with clear intention for developing ensembles: the percussion section gets genuine musical work alongside the winds, the melodies sit well in all ranges, and the harmonic language sounds contemporary without being academic. You'll open your concert to genuine excitement.
What to expect
Bright, metallic, and forward-moving. The interplay of bell tones and percussion creates a luminous soundscape that builds steadily toward a powerful conclusion. Energy radiates throughout without ever becoming chaotic; this is driving optimism in musical form.
Who it's for
Grade 2.5 bands and developing ensembles seeking high-impact concert openers that don't exceed their technical abilities. This piece rewards bands with solid fundamentals and a percussion section engaged enough to carry musical and textural interest.
How to get the most out of it
- Balance the bell tones and metallic percussion carefully in early rehearsals so the ensemble hears the timbral design underneath the bright harmonies.
- Shape the driving melodic lines with a consistent tempo that propels forward; let the rhythmic energy support the music's momentum.
- Bring clarity to ensemble attacks and releases, particularly in the passages that build toward the riveting finish.
- Use dynamic contrast strategically to let the piece breathe between its energetic sections and arrive at the final moments with full intensity.
How to use it
Open your concert with this piece when you want to establish excitement and set an energetic tone from the opening downbeat. It works equally well as a festival opener or as the first selection in a mixed program where you want to capture the audience's full attention immediately.
Skills your students will build
- Blending percussion and wind timbres in multi-layered textures
- Maintaining consistent rhythmic drive through driving melodic passages
- Executing dynamic control across contrasting sections
- Executing ensemble precision on attacks and releases