Falling in Love with Love Cover Image

Falling in Love with Love: Vocal Solo with Jazz Ensemble Conductor Score

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Falling in Love with Love Cover Image

Falling in Love with Love: Vocal Solo with Jazz Ensemble Conductor Score

Words by Lorenz Hart, music by Richard Rodgers / arr. Dave Wolpe

Grade: 3 (Medium)

Item: 00-38702S

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Description
A swing vocal chart on a great standard that includes plenty of space for the singer to be heard. Arranged in two keys for flexibility, the low key is F with vocal range from G below middle C to 3rd line B-flat, and the high key is B-flat, with vocal range from middle C to top space E-flat. Lead trumpet range to written high D. Includes a written-out alto sax solo and a substitute tenor sax melody part in lieu of the vocal.

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Additional Details
Series: Jazz Vocal Series
Publisher: Alfred Music
Page Count: 28
UPC: 038081432854
SKU: 00-38702S

More about this title

About the Composer: Lorenz Hart

Lorenz Hart stands as one of the most inventive lyricists of the American songbook. Working alongside Richard Rodgers from 1919 onward, Hart brought wit, intelligence, and genuine emotional depth to standards that have endured nearly a century. His lyrics balance clever internal rhymes and sophisticated wordplay with real human feeling, making his songs as rewarding for jazz singers today as they were on Broadway.

Hart's collaboration with Rodgers produced some of the most performed standards in jazz and popular music. Songs like this one showcase his gift for capturing romantic sentiment without sentimentality, a quality that keeps these melodies alive in the hands of new generations of musicians and arrangers.

Why we love this

Dave Wolpe's arrangement gives the vocalist genuine space to breathe while keeping the ensemble engaged and swinging throughout. The written alto sax solo and substitute tenor melody add real flexibility to your instrumentation, and having both keys available means you're not locked into a single range choice for your vocalist.

What to expect

Romantic warmth with genuine swing sophistication. The tune glides through changes that feel elegant rather than labored, and Hart's lyric about the discovery of love carries real tenderness alongside the rhythmic ease of a well-written jazz chart.

Who it's for

Jazz ensemble directors looking for a standard that sounds polished without overwhelming a developing vocalist. Serious student singers ready to interpret a classic with swing phrasing and rhythmic confidence.

How to get the most out of it

  • Balance the ensemble dynamics so the vocal line cuts through without the rhythm section pulling back unnaturally. This is about support, not accompaniment.
  • The alto sax solo deserves rehearsal time with the vocalist present; let them hear the conversation happening in the arrangement so they can lock into the swing feel.
  • Use the key transposition strategically within a concert program. If your vocalist shines in the upper register, the B-flat key lets that happen; save the F key for showcasing lower, richer tones.

How to use it

Slot this into a jazz concert where you need a vocal feature that lets the ensemble shine alongside the soloist. The 28-page score suggests a substantial arrangement that works equally well as a concert centerpiece or a program highlight that gives your vocalist room to develop performance maturity.

Skills your students will build

  • Swing phrasing and rhythmic interpretation of jazz standards
  • Trading or responding to ensemble sections while maintaining vocal independence
  • Interpreting sophisticated harmony and song form (32-bar standard structure)
  • Transposition flexibility and vocal range awareness
  • Listening actively to ensemble solo voices (particularly the alto sax solo)

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