Fable: Concert Band Conductor Score & Parts
By Erik Morales
Grade: 3
Item: 98-DB1720
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Fable: Score | $17.00 | |
| Fable: Flute 1 | $7.00 | |
| Fable: Flute 2 | $7.00 | |
| Fable: Oboe | $7.00 | |
| Fable: Bassoon | $7.00 | |
| Fable: B-flat Clarinet 1 | $7.00 | |
| Fable: B-flat Clarinet 2 | $7.00 | |
| Fable: B-flat Clarinet 3 | $7.00 | |
| Fable: B-flat Bass Clarinet | $7.00 | |
| Fable: E-flat Alto Saxophone 1 | $7.00 | |
| Fable: E-flat Alto Saxophone 2 | $7.00 | |
| Fable: B-flat Tenor Saxophone | $7.00 | |
| Fable: E-flat Baritone Saxophone | $7.00 | |
| Fable: B-flat Trumpet 1 | $7.00 | |
| Fable: B-flat Trumpet 2 | $7.00 | |
| Fable: B-flat Trumpet 3 | $7.00 | |
| Fable: F Horn 1 | $7.00 | |
| Fable: F Horn 2 | $7.00 | |
| Fable: Trombone 1 | $7.00 | |
| Fable: Trombone 2 | $7.00 | |
| Fable: Trombone 3 | $7.00 | |
| Fable: Baritone / Euphonium | $7.00 | |
| Fable: Baritone T.C. | $7.00 | |
| Fable: Tuba | $7.00 | |
| Fable: Synthesizer | $7.00 | |
| Fable: Timpani | $7.00 | |
| Fable: Bells | $7.00 | |
| Fable: Marimba | $7.00 | |
| Fable: Chimes | $7.00 | |
| Fable: Percussion 1 | $7.00 | |
| Fable: Percussion 2 | $7.00 | |
| Fable: Percussion 3 | $7.00 |
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More about this title
About the Composer: Erik Morales

Erik Morales composes across multiple genres and ensemble types, from wind and orchestral works to jazz and chamber music. Since his educational publications began appearing worldwide in 2002, he has created over 150 works that deliberately balance artistic merit with pedagogical value. His early career took shape in south Florida, where a former band director's commissioning work in 1985 launched him into the educational publishing world after he finished high school.
Morales studied composition at Florida International University and earned his bachelor's degree from the University of Louisiana, Lafayette (1989). His contributions to trumpet literature are particularly notable; his trumpet ensembles have won first place at the 2006 and 2008 National Trumpet Competitions, and his Concerto for Two Trumpets was premiered at the 2013 ITG Conference in Grand Rapids, Michigan. In 2016, he was inducted into the Louisiana Association for Jazz Education's Hall of Fame.
Why we love this
Morales crafts themes that stick with audiences and students alike. The rhythmic energy and dark cinematic quality make this a standout choice for building ensemble cohesion around memorable material while maintaining the challenge and sophistication contest and festival judges expect at Grade 3.
What to expect
Fable unfolds like a film score. Dark atmospheric passages give way to bold, sweeping melodic statements that evoke fairy tales and moral journeys. The rhythmic propulsion underneath creates forward momentum that holds listener attention from opening to close.
Who it's for
Concert band directors preparing a Grade 3 ensemble for contest or festival performance will find substantial material here. Students at this level gain access to thematic writing and rhythmic complexity that develops their musicianship without requiring virtuosic technique.
How to get the most out of it
- Shape the broad themes with intentional phrasing rather than technical precision; let the melody carry weight and tell the story the listener is following.
- Lock the rhythmic pulse as a full ensemble starting in rehearsal one. This work demands tight ensemble rhythm to achieve its driving forward motion and maintain that sense of epic momentum.
- Balance the veil of darkness and intrigue by resisting the urge to play too brightly in the upper woodwinds; allow minor tonalities and harmonic color to breathe without brightening the overall landscape.
How to use it
Program this as a centerpiece for a concert exploring narrative in music, or pair it with lighter fare to create dramatic contrast. Its contest and festival designation makes it ideal for spring performances when ensemble preparation is at its peak.
Skills your students will build
- Shaping extended melodic phrases with rubato and musical line
- Maintaining tight rhythmic ensemble playing across multiple meters and pulse-driven sections
- Balancing thick harmonic textures and supporting voices without drowning out primary melodic content
- Responding to cinematic and program music concepts through dynamic and tonal color choices