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Extremis: Concert Band Conductor Score

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Extremis Cover Image

Extremis: Concert Band Conductor Score

By Randall D. Standridge

Grade: 2

Item: 98-B1652S

$6.00
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Description
This aggressive work will make a dramatic musical statement at any concert! Trombone glissandi, extended chime effects, and tribal chanting combine to create a dark, brooding soundscape that will keep your audience and players on the edge of their seats. Perfect for opening or closing your next concert, this is truly “extreme!”

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444515112
SKU: 98-B1652S

More about this title

About the Composer: Randall D. Standridge

Randall D. Standridge is a prolific composer and arranger whose catalog spans concert band, jazz ensemble, and choral literature. His work for young and developing ensembles balances technical clarity with genuine musical substance, earning him recognition across festival circuits and school music programs nationwide.

Standridge's compositions consistently challenge players to expand their expressive range while remaining accessible to groups still building foundational skills. His understanding of what intermediate ensembles can achieve informs every measure he writes.

Why we love this

Standridge crafts a visceral concert opener that actually delivers on its dramatic promise without requiring advanced technical facility. Grade 2 ensembles rarely get music this theatrically effective, and your students will feel the impact of their own performance in ways that safer repertoire simply cannot provide.

What to expect

Dark and primal, anchored by trombone glissandi that slide through harmonic space like warning calls. The tribal chanting emerges from a brooding foundation, layered with shimmering chime textures that create an unsettling, hypnotic atmosphere. This is aggressive music that never loses focus.

Who it's for

Band directors seeking Grade 2 literature with genuine concert impact and a willingness to embrace theatrical programming. This work suits ensembles ready to explore extended techniques and unconventional timbres without sacrificing ensemble unity or intonation fundamentals.

How to get the most out of it

  • Shape the trombone glissandi with intention; they should feel deliberate and controlled, not accidental. Work your bass trombonists through the specific passages at a comfortable tempo first, then build confidence with full articulation.
  • Layer the tribal chanting gradually during rehearsals. Begin with isolated sections speaking the rhythmic figure, then add pitched instruments one family at a time so the ensemble understands its role in the overall texture.
  • Let the extended chime effects breathe. Resist the urge to fill silences; the effectiveness of these sonorities depends on space and resonance. Conduct with clarity so players understand the relationship between their entry and the sustained sounds around them.
  • Mark dynamic transitions in your score clearly. The shift from aggression to brooding intensity requires ensemble cohesion, and consistent conductor cues will ensure no one drifts during these crucial moments.

How to use it

Open your concert with this piece to establish a bold, confident tone that signals your ensemble is ready for serious repertoire. Alternatively, close the first half with Extremis to send audiences into intermission with genuine unease and anticipation. Either way, position it where it has breathing room; pairing it with another aggressive work or soft, contrasting piece allows each to shine.

Skills your students will build

  • trombone glissando technique and control
  • ensemble balance with non-traditional instruments (chimes)
  • rhythmic precision in chanting sections with pitched instruments
  • dynamic shaping and transitions between contrasting textures
  • listening to sustained harmonic sounds while maintaining independent parts

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