Exsultate in Seven: 2-Part Choral Octavo

Beck's approach to mixed meters here is refreshingly practical. Rather than overwhelming singers with notational complexity, he builds rhythmic confidence through a straightforward 3 + 2 + 2 structure that becomes second nature after a few rehearsals. The combination of dance-like momentum, optional instrumental enhancements, and bilingual text creates a piece that works equally well as a concert opener or festival selection.

Exsultate radiates exuberance from the opening. The dance-like pulse feels energetic and purposeful, never static, as the shifting meters create forward momentum that mirrors the text's jubilant spirit. The optional soprano descant and trumpet fanfare add ceremonial brightness, while the rhythmic timpani grounds everything in a secure, propulsive groove.

This octavo suits middle school, high school, and community choirs ready to tackle mixed meters in a musically rewarding context rather than a purely technical exercise. It's ideal for ensembles with at least basic rhythmic maturity and access to some instrumental support, though the core 2-part arrangement stands beautifully on its own.

• Start by isolating the main theme in its simplest form (just the melody and 3 + 2 + 2 grouping) before adding the optional soprano descant or instrumental parts. Let the rhythmic architecture breathe and settle before layering.
• Use the timpani part as an anchor point during rehearsals. Even if you don't have a percussionist at every rehearsal, tapping out the rhythmic pattern helps singers internalize the meter without overthinking it.
• If including the optional trumpet fanfare, rehearse that section separately with your choir so singers understand how the instrumental color frames the vocal line without dominating it.
• The recorded accompaniment works best after your singers have learned the piece independently. Use it for polish and to reinforce the dance-like quality that makes this piece feel urgent and joyful.

Open your concert with this piece. Its bright, clear structure and optional instrumental parts make it an ideal warm-up for both audience and singers, setting an energetic and celebratory tone. It also works well in a festival setting where clear rhythmic organization and a short learning curve give judges room to hear genuine artistry rather than struggle.

• Singing in mixed meters (3/4 and 2/4 alternating)
• Maintaining steady pulse against shifting time signatures
• Balancing 2-part harmony with rhythmic independence
• Recognizing and performing Latin text with English text integration
• Responding to optional instrumental cues and entrances