Exsultate Deo: SSA Choral Octavo
Music by Sally K. Albrecht
Item: 00-PO-0007935
Minimum order quantity: 20 copies
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for decades as a composer, conductor, and educator. Since 1987, she has received the ASCAP Special Music Award annually and maintains over 600 published choral works alongside 75 larger musicals and songbooks. Her conducting has led honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and she spent more than thirty years directing school choral and vocal publications for major educational publishers, including Alfred Music.
Albrecht's academic journey took her through Rollins College (B.A. in Music and Theater, 1976) and the University of Miami, where she earned degrees in Drama and Accompanying. She has taught at Oakland University, Jersey City State College, and Meredith College. Her leadership extends beyond music; she served as Chair of the Board of Trustees for Omicron Delta Kappa and received their "Pillar of Leadership" award. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with Distinguished Alumna recognition.
Why we love this
Albrecht writes with the ear of someone who has directed thousands of singers. The opening fanfare immediately captures attention, then the piece pivots into a buoyant chorale that feels both accessible and sophisticated. Programming this at concert's start establishes energy and grandeur from the first notes.
What to expect
Exsultate Deo unfolds like a proclamation. It begins with brightness and ceremonial weight, then broadens into something that feels both celebratory and deeply sincere. The energy sustains throughout without ever becoming shrill or exhausting.
Who it's for
SSA choirs seeking a festival opener with genuine musical substance. The piece works for treble ensembles at the intermediate to advanced level who are ready to navigate the harmonic density and dramatic pacing.
How to get the most out of it
- Balance the dramatic juxtaposed lines carefully; the contrast between sections will land stronger if the vocal parts maintain clarity without overshadowing each other.
- If using the optional brass and percussion parts, rehearse the choir independently first to lock the harmonic framework before adding instrumental color.
- Invest time in the text underlay; the cascading musical texture works best when singers move through the words with intention rather than rushing.
How to use it
This is your concert opener. It announces to the audience that something special is about to unfold and sets a confident, uplifted tone before transitioning to the rest of your program. The Carnegie Hall premiere pedigree also adds an appealing touchstone when discussing the piece with your singers.
Skills your students will build
- Sustaining harmonic clarity across multiple independent vocal lines
- Balancing dramatic contrast and juxtaposition within a single movement
- Coordinating with optional brass and percussion parts
- Shaping text within cascading musical figures