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Exsultate Deo: SSAB Choral Octavo

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Exsultate Deo: SSAB Choral Octavo

Music by Sally K. Albrecht

Item: 00-22975

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Description
Premiered in April of 2004 at Carnegie Hall, this exuberant festival piece by revered composer and conductor Sally K. Albrecht is not to be missed! Open your next concert with this majestic fanfare that cascades into a thrilling, energized chorale. Solid harmonic writing, sensational musical textures, and dramatic juxtaposed lines contribute to the undeniable grandeur of this guaranteed crowd pleaser. Feature live brass and percussion with the optional SoundPax, or try the SoundTrax CD for added impact.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081221588
SKU: 00-22975

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over four decades as a composer, conductor, and educator. Since 1987, she has received the ASCAP Special Music Award annually and maintains more than 600 published choral works in circulation. Her leadership roles have included directing choral and vocal publications for major educational publishers and conducting honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht earned her B.A. in Music and Theater from Rollins College (1976), then completed both an M.A. in Drama and an M.M. in Accompanying at the University of Miami. She has taught at Oakland University, Jersey City State College, and Meredith College, and served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society. A 2021 Distinguished Alumna honoree from both the University of Miami Frost School of Music and Rollins College, she lives in Wake Forest, North Carolina.

Why we love this

Albrecht's gift for architectural grandeur shines here. The piece opens with genuine fanfare energy, then unfolds into richly voiced chorale writing that feels both accessible and substantial, making it work equally well for strong choirs and developing ensembles. The optional brass and percussion integration (via SoundPax or SoundTrax CD) gives you real flexibility in how you shape the final product, without the piece collapsing without them.

What to expect

Exsultate Deo radiates confidence and joy. The piece moves from architectural grandeur to kinetic forward motion, with dramatic textural contrasts that keep the listener engaged. Harmonically solid and vocally gratifying, it feels both ceremonial and alive.

Who it's for

Intermediate to advanced high school and collegiate choirs looking for a strong, energized opening number that feels both celebratory and musically sophisticated. Its SSAB voicing accommodates mixed ensembles with stronger treble sections and offers the option to add instrumental color without requiring it.

How to get the most out of it

  • Balance the cascading lines in the opening section by letting sopranos and altos find independence before the bass anchors the harmonic foundation; avoid lumping all parts together in the forte passages.
  • If using the recorded accompaniment, rehearse with it early and often so singers internalize the tempo and phrasing rather than following mechanically.
  • Shape the dramatic textural shifts deliberately by bringing different voice parts into relief; mark these moments in scores so pianists understand where your conducting will shift weight.

How to use it

Open a concert with this piece to establish presence and energy immediately. Its festival character and brief length (12 pages) make it ideal for pops programs, spring concerts, or any program needing a strong vocal anchor before more intimate repertoire. The optional instrumental parts allow you to scale the production from a cappella simplicity to full instrumentation depending on your performance context.

Skills your students will build

  • Singing in SSAB voicing with secure independent part lines
  • Understanding harmonic progression through carefully crafted choral textures
  • Responding to dramatic dynamic and textural contrasts
  • Balancing treble and lower voices in fanfare-style writing
  • Ensemble coordination with optional instrumental accompaniment

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