Exploring Piano Classics Repertoire, Level 4 Cover Image

Exploring Piano Classics Repertoire, Level 4: Piano Book & CD

$10.99 USD
Sale price  $10.99 USD Regular price 
Skip to product information
Exploring Piano Classics Repertoire, Level 4 Cover Image

Exploring Piano Classics Repertoire, Level 4: Piano Book & CD

A Masterwork Method for the Developing Pianist

By Nancy Bachus

Level: Early Intermediate / Intermediate

Item: 00-31364

$10.99
Shipped

One moment…

Description
The Exploring Piano Classics series pairs motivating performance repertoire with thoughtful technical studies. Each level contains a Repertoire book with CD and a Technique book, both with convenient page-by-page correlation. When used together, the books give students a deep understanding of the art of music, performance practices, and the necessary skills to play the piano with technical ease. The Repertoire books include pieces from the major style periods, selected and graded based on festival, competition, and examination lists from the United States, Canada, and the United Kingdom. Background information on each style period, its instruments, composers, and the music itself is included.

The CD recordings of the repertoire, performed by internationally known clinician and teacher Nancy Bachus, provide an indispensable tool for appropriate musical interpretation. A graduate of the Eastman School of Music with an M.M. in Piano Performance and Literature, Nancy Bachus has performed solo recitals across the U. S., Canada, and Italy, and appeared in the original "Monster Concerts" in venues such as Lincoln Center and the White House. Titles: Allegro in G Major, Hob. XVI:8 (Haydn) * At the Blacksmith, Op. 8, No. 5 (Maykapar) * Fantasia in E Minor, TWV 33:21 (Telemann) * First Loss, Op. 68, No. 16 (Schumann) * Gavotte, Op. 123, No. 5 (Chaminade) * German Dance in B-flat Major, WoO 13, No. 6 (Beethoven) * The Lame Witch Lurking in the Forest, Op. 31, No. 9 (Rebikov) * Ländler in A Major (Steibelt) * March in D Major, BWV Anh. 122 (C.P.E. Bach) * Minuet in D Minor, BWV Anh. 132 (attr. J. S. Bach) * Minuet in G Major, BWV Anh. 116 (Anonymous) * Musette, BWV 808 (J. S. Bach) * Old French Song, Op. 39, No. 16 (Tchaikovsky) * Polonaise in F Major (W. A. Mozart) * Rose Rock, Op. 205, No. 8 (Gurlitt) * Siciliano (Diabelli) * Sonatina in F Major, Op. 168, No. 1 (Diabelli) * Sonatina in C Major, Op. 157, No. 4 (Spindler) * Valse Mignonne (Pachulski) * The Wild Rider, Op. 68, No. 8 (Schumann).

Exploring Piano Classics Repertoire, Level 4: Piano Book & CD isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio

Minuet in G Major

0:00
0:00
Sample Video
Additional Details
Series: Exploring Piano Classics
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-5561-5
ISBN13: 978-0-7390-5561-8
UPC: 038081334998
SKU: 00-31364

More about this title

About the Author: Nancy Bachus

Nancy Bachus

Nancy Bachus is a pianist, educator, and music historian whose career spans performance, teaching, and scholarly writing. A graduate of the Eastman School of Music where she studied piano performance and literature, she has given solo recitals throughout the United States, Canada, and Italy, and was among the performers in the original "Monster Concerts" held at Lincoln Center, Carnegie Hall, and the White House. Her work as a clinician and conference presenter has made her a respected voice in piano pedagogy.

Bachus has written extensively about piano repertoire and teaching, including articles in Clavier and Keyboard/Clavier Companion, a long-running column for Junior Keynotes, and foundational anthologies on Baroque, Classical, Romantic, and contemporary piano literature. Certified as a Master Teacher by MTNA, she taught at the college and university levels for 27 years and served on the editorial board of The Piano Magazine. Her contributions to music history include co-authoring a comprehensive outline of musical development and designing curriculum-aligned repertoire collections like the Exploring Piano Classics series.

Why we love this

This book pairs graded repertoire from four major style periods with curated technical studies that address the same musical challenges students will encounter in the pieces they're learning, making practice time more efficient and purposeful. The included CD recordings by Bachus herself offer genuine interpretive guidance rather than generic demonstration, helping students understand how stylistic awareness shapes phrasing, tempo, and voicing. The contextual essays situate each composer and style period within music history, transforming repertoire study into deeper musical literacy.

What to expect

A carefully curated journey through essential piano styles, from the clarity and wit of Haydn's Classical forms to the darker, more introspective character of Romantic miniatures like Schumann's "First Loss" and Rebikov's Russian impressionism. The pieces balance accessibility with genuine artistic substance, rewarding careful practice with music that reveals its character generously once it's in your hands.

Who it's for

Early intermediate and intermediate piano students who benefit from repertoire organized by style period and supported by both technical scaffolding and historical context. Teachers seeking a cohesive curriculum that deepens musical understanding beyond note-reading, combining performance literature with targeted skill-building on the same page.

How to get the most out of it

  • Reference the CD recording before practicing a new piece to absorb period-appropriate articulation, voicing, and pacing; then use it periodically to check whether your interpretation is developing in a musically coherent direction rather than drifting toward anachronism.
  • Correlate your technique work with the repertoire titles in the front matter so you understand how each etude prepares the specific technical demands of the pieces you're learning that week.
  • Use the style period essays as a roadmap for interpretive choices: identify which ornaments, dynamics, and tempo flexibility belong to each composer's era before you finalize your performance.

How to use it

Assign repertoire selections from this collection as solo recital material that represents a specific style period, combining pieces from different sections into a well-rounded program that demonstrates stylistic range. Alternately, use the technique book in parallel with the repertoire during the week you introduce each new piece, so technical preparation and musical learning happen simultaneously rather than sequentially.

Skills your students will build

  • Recognizing and executing stylistic conventions across Baroque, Classical, Romantic, and early 20th-century idioms
  • Interpreting ornamentation and articulation appropriate to each composer's era
  • Correlating technical facility (hand independence, scale work, chord voicing) with the demands of specific repertoire
  • Understanding music history through direct engagement with primary repertoire
  • Sight-reading confidence across varied textures and keyboard patterns

You May Also Like