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Exploring Piano Classics Repertoire, Level 1: Piano Book & Online Audio

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Exploring Piano Classics Repertoire, Level 1: Piano Book & Online Audio

A Masterwork Method for the Developing Pianist

By Nancy Bachus

Level: Late Elementary

Item: 00-31355

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Description
The Exploring Piano Classics series pairs motivating performance repertoire with thoughtful technical studies. Each level contains a Repertoire book with recording and a Technique book, both with convenient page-by-page correlation. When used together, the books give students a deep understanding of the art of music, performance practices, and the necessary skills to play the piano with technical ease. The Repertoire books include pieces from the major style periods, selected and graded based on festival, competition, and examination lists from the United States, Canada, and the United Kingdom. Background information on each style period, its instruments, composers, and the music itself is included.

The recordings of the repertoire, performed by internationally known clinician and teacher Nancy Bachus, provide an indispensable tool for appropriate musical interpretation. A graduate of the Eastman School of Music with an M.M. in Piano Performance and Literature, Nancy Bachus has performed solo recitals across the U. S., Canada, and Italy, and appeared in the original "Monster Concerts" in venues such as Lincoln Center and the White House. Titles: The Magic Fountain (Bátor) * Gigue in C Major, Op. 12, No. 2 (Arnold) * The Chase, Op. 117, No. 15 (Gurlitt) * Menuet in F Major (d'Anglebert) * Tambourin (Anonymous) * What the Little Tulip Princess Says (Satie) * Rococo Dance (Anonymous) * Allegretto in C Major, Op. 81, No. 4 (Hook) * Bourrée in D Minor (Graupner) * German Dance in D Major, Hob. IX:22/3 (Haydn) * Come Home, Lidi (Bartók) * Waltz in G Major, Op. 46, No. 25 (Breslaur) * Pastorale (Le Couppey) * Hungarian Folk Song (Bartalus) * Romance for Children (Türk) * Minuet in F Major, K. 2 (W. A. Mozart) * A Deserted Garden, Op. 82, No. 35 (Gurlitt) * Minuet in G Major, BWV 822 (J. S. Bach) * Gypsy Legend (Chován) * German Dance in E Major, Hob. IX:22/9 (Haydn).

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Hungarian Folk Song

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Additional Details
Series: Exploring Piano Classics
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-5558-5
ISBN13: 978-0-7390-5558-8
UPC: 038081334967
SKU: 00-31355

More about this title

About the Author: Nancy Bachus

Nancy Bachus

Nancy Bachus brings decades of performance and pedagogical expertise to her work as a composer, arranger, and music historian. A graduate of the Eastman School of Music with an M.M. in Piano Performance and Literature, she studied with pianist Eugene List and has performed solo recitals throughout the United States, Canada, and Italy. She was featured in the original "Monster Concerts" at Lincoln Center, Carnegie Hall, and the White House, and has served as a clinician at major piano teacher conferences and music conventions. Her published work includes The Baroque Spirit, The Classical Spirit, The Romantic Spirit, and Beyond the Romantic Spirit anthologies, along with the Exploring Piano Classics series and Great Music & Musicians, a music history outline.

Barchus earned certification as a Master Teacher by MTNA and spent more than a quarter century teaching at the college and university levels, including faculty positions at Cleveland State University and summer instruction at the National Music Camp at Interlochen. She has also served on the editorial board for The Piano Magazine and the Board of Directors of the American Liszt Society, where she edited the organization's newsletter for an extended period. Her articles on piano pedagogy and performance have appeared in Clavier, Keyboard/Clavier Companion, and Junior Keynotes.

Why we love this

This repertoire collection respects late elementary pianists by grounding them in authentic masterworks across four centuries rather than watering down the canon. The page-by-page correlation with technique studies means every etude serves the literature students are actually learning, and the curated pieces draw from competitive and examination frameworks recognized across North America and the UK, so students can trust they're building repertoire that matters. The online audio recordings performed by Bachus herself provide immediate, musically intelligent models for interpretation.

What to expect

A journey through musical history told through the piano itself. You'll discover that "simple" pieces from the baroque and classical periods carry ornament and architectural clarity; that composers like Satie and Gurlitt found profound musicality in modest forms; and that mastering each style deepens your ear and your hands.

Who it's for

Late elementary pianists who are ready to encounter authentic repertoire from multiple style periods and want to understand the historical and musical context behind the pieces they play. Teachers looking for a structured approach that pairs performance repertoire with coordinated technical study, eliminating the disconnect between etude books and what students actually perform.

How to get the most out of it

  • Listen to the online recording before your first practice session to absorb the piece's character and pacing, then return to the score to discover how the notation captures what you heard.
  • Study the style period background information in the book to understand the compositional context; knowing whether you're playing a baroque dance or a romantic miniature shapes your touch and articulation choices.
  • Reference the correlated technique book during rehearsal to identify the specific skills needed for passages that feel awkward, so you're building precision where the music actually demands it.
  • Use the varied repertoire selections to explore different keyboard textures: ornament-heavy baroque lines, classical clarity of melody and accompaniment, and the romantic songwriter's approach to the piano.

How to use it

This repertoire serves naturally in studio recitals where you want students to demonstrate range across style periods without overwhelming them. It also works well as the foundation of spring or early summer programming, since students can learn one piece deeply while building technique in parallel. The cultural breadth makes it ideal for themed recitals exploring "Baroque and Classical Dances" or "Miniatures from Around Europe."

Skills your students will build

  • Baroque ornamentation and articulation in period dance forms
  • Classical period melody-accompaniment texture and harmonic clarity
  • Romantic era legato and pedal control in miniature character pieces
  • Style-specific interpretation by reading historical context and performance notes
  • Sight-reading through exposure to varied compositional periods and textures
  • Coordination of hands in contrapuntal and homophonic writing
  • Understanding correlation between technical studies and repertoire performance needs

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