Everybody Plays! No.1 Cover Image

Everybody Plays! No.1: Book 1 Guitar Book

$14.95 USD
Sale price  $14.95 USD Regular price 
Skip to product information
Everybody Plays! No.1 Cover Image

Everybody Plays! No.1: Book 1 Guitar Book

By Philip Groeber, Matthew Joy

Item: 98-G1068

$14.95
Shipped

One moment…

Description
Everybody Plays! That's the basic idea that makes FJH Guitar Ensembles a welcome musical addition to the classroom and the studio. Students of varying skill levels can all play together in these finely-tuned pieces. These two publications are perfect for high school students in Level 1 and 2 of Everybody's Guitar Method.

Everybody Plays! No.1: Book 1 Guitar Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: FJH Guitar Ensembles
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61928-165-1
ISBN13: 978-1-61-928165-3
UPC: 241444368916
SKU: 98-G1068

More about this title

About the Composer: Philip Groeber

Philip Groeber has spent decades writing accessible guitar music that solves a real classroom problem: how to keep mixed-ability ensembles engaged and playing together. His work with FJH Music Publishers demonstrates a clear understanding of what students at early levels need to succeed, both musically and socially.

Why we love this

Mixed-level ensemble pieces that actually work are rare, and this book delivers without compromise. Groeber and Joy crafted these arrangements so that guitarists at different proficiency levels genuinely contribute to the sound, rather than being relegated to simplified strumming patterns or uncomfortable stretches. Your Level 1 and 2 students will experience the satisfaction of playing real ensemble music together.

What to expect

Accessible yet rewarding. These pieces acknowledge where developing guitarists are without condescending to them. The writing respects the instrument while staying grounded in achievable technique, creating moments where students hear themselves contributing to something larger than single-line exercises.

Who it's for

High school guitarists working through levels 1 and 2 of Everybody's Guitar Method who want to experience ensemble playing without waiting until all students reach the same proficiency level. This book works in full-class settings, small group sessions, and mixed-ability studio environments where teachers need material that keeps everyone engaged.

How to get the most out of it

  • Balance tone production across ensemble members by having students match their volume to the phrase, not just play at full dynamic. Weaker players often compensate by playing louder, which muddies the blend.
  • Establish a clear tempo in rehearsal before adding dynamics or articulation. Guitar ensembles can drift rhythmically when players focus too heavily on fingerings.
  • Rotate who leads passages so that students develop listening skills and ensemble awareness beyond their own part.
  • Assign fretboard positions verbally before playing challenging sections so that players aren't panicking mid-phrase.

How to use it

Integrate these into rehearsal rotation throughout the year rather than as a standalone project. Use them as warm-up material when you have mixed attendance or skill levels present, or feature a group performance at a winter or spring concert alongside solo showcases. They're also ideal for maintaining ensemble experience for students who join guitar class at different times during the school year.

Skills your students will build

  • Playing multiple part assignments within a single ensemble arrangement
  • Listening and blending with guitarists playing different harmonic or melodic roles
  • Maintaining rhythmic consistency in a group setting
  • Reading and executing chord progressions in ensemble context
  • Understanding balance between melody and accompaniment lines

You May Also Like