Etudes-Tableaux, Op. 39 Cover Image

Etudes-Tableaux, Op. 39: Piano, Solo, Unaccompanied, Solo

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Etudes-Tableaux, Op. 39 Cover Image

Etudes-Tableaux, Op. 39: Piano, Solo, Unaccompanied, Solo

By Sergei Rachmaninoff, ed./arr. by E. Babassian/ T. Suchkova

Item: 36-M356091

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Description
Sergei Rachmaninoff (1873-1943) composed this second (Op. 39) of two sets of piano études in 1917. The title Études-Tableaux translates as "study pictures." But while the works were inspired by some visual stimuli, Rachmaninoff did not disclose what those were, preferring to "let [the listener] paint for themselves what each of the nine tableaux's most suggests.

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Additional Details
Series: Master Keyboard Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852951-9
ISBN13: 979-8-88-852951-5
UPC: 659359730696
SKU: 36-M356091
Instrumentation: Solo Piano

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873-1943) stands as one of the most significant Russian composers of the late Romantic era and a virtuoso pianist whose technical demands shaped the modern piano repertoire. His compositional voice bridged 19th-century Romanticism and 20th-century modernism, combining rich harmonic language with sweeping melodic lines that remain immediately recognizable. Rachmaninoff's piano works, from concertos to solo pieces, continue to define the standard of keyboard virtuosity in conservatory curricula worldwide.

Composed in 1917 during Rachmaninoff's time in Switzerland, the Études-Tableaux Op. 39 represent his mature approach to the étude form, elevating technical studies into deeply expressive concert works. Rather than isolating single mechanical challenges, Rachmaninoff wove technique into musical narratives, creating pieces that demand both precision and interpretive depth from performers.

Why we love this

These nine études reward advanced pianists with music that balances genuine technical rigor against profound expressivity. Each piece functions equally as a concert work and a study in specific pianistic challenges, making them essential for students preparing advanced recitals or building virtuosic command at the highest levels.

What to expect

These nine studies range from restless and driving to mysterious and deeply introspective, each with its own emotional landscape. Rachmaninoff's opulent harmonies and sweeping figurations create a sense of Romantic grandeur mixed with modernist unease, demanding both technical command and interpretive maturity from the performer.

Who it's for

This collection is designed for advanced piano students and conservatory-level performers who have mastered intermediate technique and are ready for the sophisticated harmonic language and virtuosic demands of late Romantic repertoire. Professional pianists preparing challenging recital programs or teaching artists seeking substantial solo material will find the Op. 39 set indispensable.

How to get the most out of it

  • Treat each étude as a self-contained character study rather than technical exercises to be rushed. Rachmaninoff's notation includes specific tempo markings and expressive indications that shape the mood of each tableau, and respecting these choices deepens performance impact.
  • Map the harmonic architecture before drilling technical passages. Understanding the large-scale chord progressions and tonal relationships helps unlock why passages sit uncomfortably under the fingers, revealing Rachmaninoff's intentional voice-leading demands.
  • Work hands separately through dense chord voicings and figurations until the sonority is clear, then layer hands together with attention to voice independence rather than fused sound. This approach prevents muddiness in the fuller textures.
  • Develop flexible wrist rotation in études requiring rapid arpeggios or wide intervallic leaps. Rachmaninoff's spans often demand both strength and economy of motion to maintain evenness across multiple registers.

How to use it

Program individual études as standalone recital pieces that showcase both technical brilliance and musical substance; they work beautifully paired with other late Romantic works or modern repertoire. Consider presenting a complete or partial cycle of the nine pieces in a student honors recital or faculty concert to highlight the cohesive yet diverse character of the set.

Skills your students will build

  • Multi-octave arpeggios and block chord voicings across the full keyboard
  • Reading and executing complex harmonic progressions in Rachmaninoff's chromatic language
  • Balancing independence of voices within dense polyphonic textures
  • Sustaining legato lines while managing rapid accompaniment figures
  • Interpreting expressive markings and rubato within a structured harmonic framework
  • Managing wide intervallic leaps and hand position shifts with security and fluidity

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