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Etruscan Concerto (Full Score): Full Score

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Etruscan Concerto (Full Score) Cover Image

Etruscan Concerto (Full Score): Full Score

for Piano and Chamber Orchestra

Peggy Glanville-Hicks

Item: 98-EP66125

$99.00
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Additional Details
Publisher: Edition Peters
Page Count: 88
ISBN10: 0-30-071765-2
ISBN13: 979-0-3007-1765-4
SKU: 98-EP66125

More about this title

About the Composer: Peggy Glanville-Hicks

Peggy Glanville-Hicks (1912-1990) was an Australian composer whose music drew from diverse cultural and historical sources. A prolific creator working across opera, ballet, chamber music, and orchestral forms, she spent decades composing and teaching while championing new music through performances and advocacy. Her engagement with non-Western musical traditions and classical forms shaped a distinctive compositional voice that bridged modernist technique with lyrical expression.

Why we love this

String orchestras at the intermediate to advanced level rarely encounter 20th-century repertoire this substantive. Glanville-Hicks's Etruscan Concerto combines the structural rigor of the concerto grosso tradition with contemporary harmonic language, giving your ensemble a work that feels genuinely professional while remaining accessible. The solo-with-ensemble texture keeps all players engaged and creates natural opportunities for sectional leadership.

What to expect

The Etruscan Concerto evokes ancient classical forms filtered through a modern sensibility. Lyrical passages give way to driving rhythmic sections; harmonic language moves between tonal clarity and productive ambiguity, creating an atmosphere both contemplative and energized.

Who it's for

This work suits advanced string orchestras, conservatory ensemble classes, and high school orchestras with strong technical foundations. Soloists will need secure command of their instruments and comfort with 20th-century harmonic language; accompanists need to track the evolving texture and respond to the soloists' phrasing.

How to get the most out of it

  • Establish clear hierarchies between the soloists and the ensemble string texture; the concerto grosso form depends on this conversation being audible even in passages where both groups play thickly.
  • Attend to intonation across the ensemble in sustained harmonic blocks, which are frequent throughout the 88-page score. Use sectional rehearsals to lock chords before bringing the full group together.
  • Balance the solo line so it projects without overwhelming the accompaniment, particularly in faster passages where momentum matters as much as clarity.

How to use it

Program this as a centerpiece in a 20th-century strings concert, or pair it with works by other modernist composers who engaged with classical forms. Its length and sophistication make it suitable for a spring concert where your ensemble's development across the year can be fully displayed.

Skills your students will build

  • Reading and intonating 20th-century harmonic language and extended chords
  • Balancing solo and ensemble textures within a concerto grosso framework
  • Maintaining rhythmic precision and ensemble cohesion across sustained harmonic passages
  • Responding to flexible phrasing and tempo rubato from a featured soloist

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